登陆注册
4157600000002

第2章 Preface(1)

The history of illness is as long as human history,which has been a hot topic since ancient time. In the primitive society,illness was regarded as the symbol of the gods. With man’ s increasing ability to understand the outside world,the mystery of illness gradually decreased. As the cognitive abilities of human beings were strengthened, the mystery of illness faded. However, the metaphorical meaning of illness has never been obliterated,and it becomes ex-tensively acknowledged,instilling into various domains of human society. The meanings of illness in literature differ from those in medicine. The emergence and development of illness’ s connotation has been deeply marked by human traces. Its evolution is intertwined with the material culture of human society. Therefore,illness has been regarded as the carrier of civilization and culture,and it reflects the contemporary social outlook of the writers. In mod-ern times, the frequent outbreak of wars, the transition of society, and the process of urbanization gave rise to the collision of different values and conflicts of personal interests,which initiated a series of social problems,and they,in return, caused lots of pains and trauma. The images of illness, the projection of real life,are increasingly used in modern and postmodern literary works to interpret the world and to convey the writers’ emotional experience, and used as a way to understand the social outlook as well as the writers’ in-tention. Growing up in World WarⅡ,Harold Pinter witnessed the transforma-tion and turmoil of the western society. As a descendant of the Jew,he experi-enced an amount of tribulations such as the London Blitz in his childhood, which left him with traumas and gave him a sense of identity. In the Theatre of the Absurd, metaphors are usually deployed to imply emotionalexperience. As an absurdist playwright,it is inevitable that Pinter should use illness to reveal the painfulness resulted from severe social conditions. As ill-ness mirrors social background,Pinter’ s close attention to it shows that he is observant and insightful. Most of Pinter’ s works are imbedded with his per-sonal experience and inspects of illness,and by using the cultural connotation of illness, Pinter demonstrated not only the historical, political, and religious aspects of his times,but also his understanding of the world and his humanist concerns.

Illness prevails in Pinter’ s different types of works including poetry, prose and drama. However,since drama is known as Pinter’ s most important achievement, this dissertation will focus on his drama. In this research, medical theory is used as a specific criterion for the categorization of the disea-ses in Pinter’ s plays. Besides, the theories of psychoanalysis, narratology, body politics,metaphorical rhetoric,and theatrical aesthetics are also applied to several aspects,including illness inspiring Pinter’ s creative motive,while pushing the plot itself forward, conveying the metaphorical meanings, giving political significance,as well as achieving the absurd dramatic poetics,which aims at exploring Pinter’ s theatrical technique and understanding the social significance of his plays. In the research,some specific analyses are given on Pinter’ s 17 plays related to illness narratives. The 17 plays include The Room,The Birthday Party, The Caretaker, The Homecoming, A Slight Ache, Family Voices,Betrayal,The Lover,A Kind of Alaska,The Hothouse,The Moon-light, Tea Party, Mountain Language, One for the Road, Ashes to Ashes, The New World Order, and Precisely. Meanwhile, the specific analyses are also given on Pinter’ s poems New Year in Midlands,The War and his prose The Party. The book is composed of five parts as follows.

The first part is a literary review of Pinter and his works at home and abroad,which clearly states the reasons for this topic,the values of this study, and provides a deion of the research methods,the focuses,the difficulties and the innovations in the process of research and analysis. This part is in-tended to give an explanation to Pinter’ s creative motives,as well as an over-view to the structure of the book.

同类推荐
  • 情忆·名人·美文

    情忆·名人·美文

    蔡先生回国后住在上海的时候,似乎曾经跟了吴先生到他的府上去过。但是除上一所一楼一底的房子之外,什么也不记得。也许这一楼一底的房子还记忆的错误,实在不曾去拜访过也说不定。但是那时候一个印象是相当清楚的。也可以说是蔡先生给我的第一个印象。大约是在张园举行的许多群众大会之一吧,蔡先生的演讲是在那里第一次听到。《情忆·名人·美文》讲述了名人的生平事迹和经典著作。
  • 黄斌诗选(中国21世纪诗丛)

    黄斌诗选(中国21世纪诗丛)

    世间每一生命,人也好,动物也好,都是生机自动,所得自天。这每一生命过程,在人,当然可以生发无数诗意;在动物,也可以体现生命本身的循环。黄斌的诗歌关注他个人的历史,血液,所在的土地,和包围他的日常生活。他以一个极其正常的平凡的人的姿态写诗。写出了一个个人。
  • 欧游杂记(经典悦读)

    欧游杂记(经典悦读)

    1931年8月,朱自清留学英国进修语言学和英国文学,其间漫游欧洲五国,写下数篇游记,后结集为《欧游杂记》一书,由开明书店于1934年出版。其中收录游记10篇和附录《西行通讯》,记录了作者1931年在威尼斯、佛罗伦萨、罗马、柏林、巴黎等地的游踪和见闻。这些文章以记述景物为主,但在写景时“也费了一些心在文字上”,构思精巧,动静结合;同时又寓情于景,自然真实,再现了20世纪30年代欧洲的自然风光、历史人文、生活民俗等,堪称游记散文的典范。本书以开明书店1934年版本为底本,保留时代特色,保证作品的原汁原味。
  • 我朗诵 祖国听:最新节日朗诵诗

    我朗诵 祖国听:最新节日朗诵诗

    作品包括井冈杜鹃红、青花、我朗诵祖国听、小平您好、你越来越美丽,我越来越年轻、搪瓷茶缸、曾经有过如此盛大的婚礼、为江西干杯、生我养我的土地、湖水似的乡情等经典朗诵诗。
  • 低天空:珠三角女工的痛与爱

    低天空:珠三角女工的痛与爱

    那条横幅一直挂在那里:大量招收男女工,薪多粮准!宽红布,大白字,如火如荼的感叹号。工厂过去和现在都需要人,而工人并非生来就是工人,在某段时间,工人是被邀请到工厂来的。和传统大厂不同,在珠三角,密集的小楼里拥挤着各类小厂,重复而相像。当镜头展示其内部时,总竭力表现出信息的完整性没有受到损害,然而,遮蔽和裁剪,总令工人的身影模糊不清。 从新疆迁居珠三角后,每当我对某些场景提出疑问——人们为何走路吃盒饭,厢式货车为何横冲直撞,邮局提款机前为何排长队,皆被一句轻描淡写的话所打发:工厂多啊。那条通往镇中心的道路,正午时分,行人稀疏,但在清晨或黄昏,车轮滚滚,人流澎湃,米粉店、小卖部、菜场或水果摊前,到处是穿工装的人。
热门推荐
  • 阎王选妃

    阎王选妃

    《阎王选妃》第一部简介“这该死的头发,那么长……”女孩把烦人的头发拨到脑后。真不知道怎么了,头发长到这个长度剪也不是,不剪也不是。而且一般东西扎也扎不住。没办法,她只能天天披头散发的。“丫头,又在骂头发了。”一袭白衣黑发的女子来到她面前。嘴里含着笑,还隐隐有泪。“神仙外婆,它们好讨厌哦。每天这样,人家都当我是女鬼呢。”女孩不高兴的撇了撇嘴。这丫头。不知人人都想有这样美丽如丝的乌黑秀发,可小丫头就是不喜欢它。真不知道说她什么好。哎……这人世间是否有人来倾心呵护这青丝佳颜……本文集为“九世情缘全集”文共分为九部,即九世。每一世故意皆独立成本,但又相联相关。所以意为九世。*第一世《洛氏神女》已完结出版。本文为九世情缘的缘头部分,细心看会觉得很不错哟。亦古亦今,有穿越也有灵异预知!*第二世《阎王选妃》已完结,本文为VIP。共两部,即(阎王选妃1和阎王选妃2)第一部写的是阎王和青青的故事(古代)。第二部写的是(现代),主角是一个作者和秋如昔的后世阎青昔的故事。*第三世《丫头奸商》讲的是一个女子穿越到唐朝武则天时代与武后儿子们的故事。本文为VIP文。已完结。*第四世《天使的恶魔夫君》该文的第一部已完结,近二十万字。文章是架空的一个幻想时代,所以的东西皆有天马行空的幻想和灵异色彩,是我很喜欢的风格。第二部待续。*******************************************************清红轩文学论坛:http://m.pgsk.com/m.pgsk.com?&t=1
  • 洗脚田

    洗脚田

    本期推出鲁18张祖文的一部中篇。作为大学毕业后进入西藏工作的祖文,以创立“藏边体小说”产生较大影响。“藏边体小说”这一概念,其内涵用祖文的定义,“是一种西藏边缘体验异度写作,主要反映内地进藏人员和受千年佛教熏染的藏族人民,在面对现代文明交融时他们的思想和生活状况。”评论界认为,祖文的“藏边体小说”在叙事上具有鲜明个人风格。其一,小说叙事体现为“多边叙事”。与许多少数民族作家的作品缺失对非我族的“他者”叙述、简化或限制“他者”叙述不同,祖文小说的叙事既有藏族视角,也有汉族视域,这扩充了其小说的容量,生发了内涵的张力。其二,作品叙事呈现“双重叙事”。
  • 猫叫春(中国好小说)

    猫叫春(中国好小说)

    拒绝了农村的恋人芍药、跳出农门的我被分配到省城一家单位上班,整日默默无闻。逐渐认识了铃兰,我开始追求她,却被好朋友干姜插足夺去。铃兰和干姜在一起后,我和他们合买了一处住房。因为干姜的品性不定,婚后的铃兰生活的越来越坏。而在我又认识一家杂志社社长的女儿后,干姜又出现了……
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 你的年少,我的时光

    你的年少,我的时光

    十六岁的纯情年华,她记得昏黄路灯下执手的他,爱意深埋地认为这个男生不属于自己;十八岁的青枝年月,她以为即使不够相爱,也许相处下去就是一生;二十二,不再稚嫩的她,遇上那个不曾预想过的身影,仍单纯的念想着两心相印,相信牵着的手绝不会放开。爱让人痴狂,却让人如醉,让人温柔,也让人心伤。经过多少人的身边,看过多少人流过的眼泪,犯过不可饶恕的罪恶,用心体会过生活的辛酸,以为也许孤独着面对一生的她,还会有再爱的那一天吗......若不曾真正用心,怎会有未来那一天。--情节虚构,请勿模仿
  • 幽闺记

    幽闺记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • A Gentleman of France

    A Gentleman of France

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 焰娘

    焰娘

    《焰娘》生死相随,心心相依,为他,她甘之如饴!受再多的苦,言再多的情,都不足以表达她对他的爱!可,他的眼中,始终是容不下她!想想放弃或者更好些,先前所做的一切都是枉然,情到深处无怨尤……轻言放弃她实在做不到,那么,海角天涯地追随他总可以了吧!
  • 李嘉诚白手起家的八字箴言

    李嘉诚白手起家的八字箴言

    李嘉诚是我们这个时代最杰出的商人之一,连续六年荣膺世界华人首富,连续八年雄居港商首席。他作为香港巨商和财富化身,在创业之初完全是白手起家、以小搏大,创造了一个又一个财富神话。八字箴言是李嘉诚纵横商场几十年的心得,更是他做人与经商完美结合的深悟见解。八字箴言,字字渗透着李嘉诚经营谋略与文化的精华。
  • 僵乱仙界

    僵乱仙界

    一头不想当僵尸的僵尸,注定了这是一个凌乱的世界!