登陆注册
5590800000072

第72章 THE CONTENTED MAN(2)

"Content"ought to mean in English,as it does in French,being pleased;placidly,perhaps,but still positively pleased.Being contented with bread and cheese ought not to mean not caring what you eat.It ought to mean caring for bread and cheese;handling and enjoying the cubic content of the bread and cheese and adding it to your own.Being content with an attic ought not to mean being unable to move from it and resigned to living in it.It ought to mean appreciating what there is to appreciate in such a position;such as the quaint and elvish slope of the ceiling or the sublime aerial view of the opposite chimney-pots.And in this sense contentment is a real and even an active virtue;it is not only affirmative,but creative.The poet in the attic does not forget the attic in poetic musings;he remembers whatever the attic has of poetry;he realises how high,how starry,how cool,how unadorned and simple--in short,how Attic is the attic.

True contentment is a thing as active as agriculture.It is the power of getting out of any situation all that there is in it.It is arduous and it is rare.The absence of this digestive talent is what makes so cold and incredible the tales of so many people who say they have been "through"things;when it is evident that they have come out on the other side quite unchanged.A man might have gone "through"a plum pudding as a bullet might go through a plum pudding;it depends on the size of the pudding--and the man.But the awful and sacred question is "Has the pudding been through him?"Has he tasted,appreciated,and absorbed the solid pudding,with its three dimensions and its three thousand tastes and smells?Can he offer himself to the eyes of men as one who has cubically conquered and contained a pudding?

In the same way we may ask of those who profess to have passed through trivial or tragic experiences whether they have absorbed the content of them;whether they licked up such living water as there was.It is a pertinent question in connection with many modern problems.

Thus the young genius says,"I have lived in my dreary and squalid village before I found success in Paris or Vienna."The sound philosopher will answer,"You have never lived in your village,or you would not call it dreary and squalid."Thus the Imperialist,the Colonial idealist (who commonly speaks and always thinks with a Yankee accent)will say,"I've been right away from these little muddy islands,and seen God's great seas and prairies."The sound philosopher will reply,"You have never been in thee islands;you have never seen the weald of Sussex or the plain of Salisbury;otherwise you could never have called them either muddy or little."Thus the Suffragette will say,"I have passed through the paltry duties of pots and pans,the drudgery of the vulgar kitchen;but I have come out to intellectual liberty."The sound philosopher will answer,"You have never passed through the kitchen,or you never would call it vulgar.

Wiser and stronger women than you have really seen a poetry in pots and pans;naturally,because there is a poetry in them."It is right for the village violinist to climb into fame in Paris or Vienna;it is right for the stray Englishman to climb across the high shoulder of the world;it is right for the woman to climb into whatever cathedrae or high places she can allow to her sexual dignity.But it is wrong that any of these climbers should kick the ladder by which they have climbed.But indeed these bitter people who record their experiences really record their lack of experiences.It is the countryman who has not succeeded in being a countryman who comes up to London.It is the clerk who has not succeeded in being a clerk who tries (on vegetarian principles)to be a countryman.

And the woman with a past is generally a woman angry about the past she never had.

When you have really exhausted an experience you always reverence and love it.The two things that nearly all of us have thoroughly and really been through are childhood and youth.And though we would not have them back again on any account,we feel that they are both beautiful,because we have drunk them dry.

同类推荐
  • 本草备要

    本草备要

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 咏雪应诏

    咏雪应诏

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 戴氏族谱

    戴氏族谱

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 上元夜忆长安

    上元夜忆长安

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 清微玄枢奏告仪

    清微玄枢奏告仪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 你说我陪你

    你说我陪你

    诺言都成了谎言……她还是愿意为他守候,她还是愿意偷偷地站在他身后……从不敢面对自己的情感,到直面自己的内心,她成长了太多太多。从初雪飘落的冬季,到樱花纷飞的四月,她的泪流了太多太多。可是,她依然不愿放弃,依然,在等待一个结局……"那个女孩问我,如果,你向她伸出手,她还会不会和你走。就当,她做了一场美好的梦。你觉得,她会和你走吗?""我知道,她会的。""对,她会的。"她用青春做赌注,不知结局是赢是输。 她不断向着最高点,只是为了他能看见。她只是笑着,笑着说:"他说过的话,我都记得。"
  • 我和傲娇竹马又撒糖了

    我和傲娇竹马又撒糖了

    【爆笑甜宠,校园爽文!】她背景强悍却故意隐藏身份,转学归来,扮猪吃虎。殊不知,她是天才少女,背后有个神秘坑爹的师傅。她和他是青梅竹马。
  • 高个的钱不见了(百万理财教育成长必备)

    高个的钱不见了(百万理财教育成长必备)

    这个简单的小故事传达了一个重要的经济学观念,那就是“机会成本”,通过不同早餐选择达到存钱的结果,孩子从小就学会计算机会成本的能力,那么在孩子成长的过程中,任何一个选择和决定都将变得相对容易。一般人习惯把投资和理财画上等号:“没有钱,还理什么财?”许多人迟迟不肯接受理财的观念,就因为他没有存钱。其实理财是一个钱使用的过程,会理财的目的是为了生活愉快,因此没赚很多钱或不会投资的人不等于生活很差或不开心。教孩子存钱很重要,教孩子如何花钱也同样重要。聪明消费除了需要建立机会成本的观念,更需要引导孩子建构一个健康的金钱价值观,任何一个理财教育的细节,都是父母送给孩子的生命大礼。
  • 沈爷你今天复婚了吗

    沈爷你今天复婚了吗

    (看书前请打开书评区看书必看的置顶帖)【神秘低调优雅俊美沈爷VS容色秾秾温凉傲慢沈太太】一开始,他们的婚姻轰动全城,只是爱到浓烈,也逃不过浮生花事了。**他第一次提及自己的感情生活,是在复婚后的第一次采访中。记者,“复婚时是谁先求婚的呢?”沈爷,“我。”记者,“那吵架了一般是谁先低头?”沈爷,“我。”记者,“您想对您的夫人说什么?”沈爷望着镜头,目光漆黑灼人,嗓音性感慵淡在线勾人,“我只要你,换谁都不行。”记者,“……”夭寿了。这是什么神仙恋爱?混迹在人群里的某太太,忍不住上扬的嘴角,趁乱逃了。这是一个命中注定的爱情故事,这一生,一眼万年是你,兜兜转转也还是你。[本书双洁1V1,甜宠]
  • 刀锋

    刀锋

    《刀锋》出版于1944年,是毛姆1940年来美国后的第一部小说。主人公拉里是一次大战的产物,他反映的时代——两次大战之间的时代——则是欧洲中心主义的黄昏时代。拉里在巴黎博览群书,学会了几种语言,但是,巴黎和法国只成为他的中途岛;他最后带家去的,既不是恩夏姆神甫要把他当迷途羔羊圈回去的天主教,也不是他想从波兰矿工考斯第口中探听的神秘主义,而是印度的吠陀经哲学等。
  • 岁月剥落情何归

    岁月剥落情何归

    那年我们还年轻,我们没有大的理想,也没有大的志向,只是想过安静平淡的生活,想在自己的世界里拥有生活,却一直无法摆脱世俗砝码的衡量,在这个我们的年华里演绎着平凡的生活,小人物的哀乐,你会理解吗?我们一直在想象着生活能够像电影一样,一转身,便是多年以后。我们挣扎在城市中,徘徊在爱恨得失中,却忘了自己的灵魂深处的东西。
  • 伍贰壹

    伍贰壹

    从前我喜欢大海,现在还有喜欢你。遇见你我才知道幸运一次,便可以将以后好运都输的干干净净。
  • 假面戏法

    假面戏法

    起始于火灾,燃烧的火焰让所有的一切化为灰烬,然而,错乱的命运又使他独自背负起血海深仇......一个佩戴虚假面具的魔术师,悲剧的人生引导他走向深渊——命运的织网紧紧将他束缚看不到半点希望。宁静的古恩小镇迎来命运织线所线缠绕的提线人偶......一桩桩暗藏的案件即将揭开谜底。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 开挂后我成了大师兄

    开挂后我成了大师兄

    重活一世,云朗决定活的肆意一点,学唱戏,学表演,背贯口,长大之后拍电影、拍电视。惹谁也别惹我,穿上大褂我就是相声演员,你让我不痛快,我能让你更不痛快。你说我没有男儿气概,我会告诉你什么是侠骨柔情,铁血硬汉也会细嗅蔷薇。你说我靠颜值成名,我会让你知道什么叫始于颜值,陷于才华,打小的童子功,谁能比我强?女装大佬算什么?姐只是本色出演,因为姐上辈子就是个女的。敢叫天下无风尘算什么?谁让这辈子成了个男人,那就得让全天下都知道男人不全都是臭的,也有精致的。岁月情长竹马成双,衣香鬓影并肩为王,你陪我成长,我伴你成王。粉丝:自己捧的角儿,除了宠着,还能怎么办?要什么都给你,连命都给你,给你,都给你。