It was a simple inquiry, but as I look back upon it from the safe ground of subsequent knowledge I perceive that it had a certain amount of influence upon Francesca's history. The suggestion would have carried no weight with me for two reasons. In the first place, Salemina is far-sighted. If objects are located at some distance from her, she sees them clearly; but if they are under her very nose she overlooks them altogether, unless they are sufficiently fragrant or audible to address other senses. This physical peculiarity she carries over into her mental processes. Her impression of the Disruption movement, for example, would be lively and distinct, but her perception of a contemporary lover's quarrel (particularly if it were fought at her own apron-strings) would be singularly vague. If she suggested, therefore, that Elizabeth Ardmore was interested in Mr. Beresford, who is the rightful captive of my bow and spear, I should be perfectly calm.
My second reason for comfortable indifference is that frequently in novels, and always in plays, the heroine is instigated to violent jealousy by insinuations of this sort, usually conveyed by the villain of the piece, male or female. I have seen this happen so often in the modern drama that it has long since ceased to be convincing; but though Francesca has witnessed scores of plays and read hundreds of novels, it did not apparently strike her as a theatrical or literary suggestion that Lady Ardmore's daughter should be in love with Mr. Macdonald. The effect of the new point of view was most salutary, on the whole. She had come to think herself the only prominent figure in the Reverend Ronald's landscape, and anything more impertinent than her tone with him (unless it is his with her) I certainly never heard. This criticism, however, relates only to their public performances, and I have long suspected that their private conversations are of a kindlier character. When it occurred to her that he might simply be sharpening his mental sword on her steel, but that his heart had at last wandered into a more genial climate than she had ever provided for it, she softened unconsciously; the Scotsman and the American receded into a truer perspective, and the man and the woman approached each other with dangerous nearness.
"What shall we do if Francesca and Mr. Macdonald really fall in love with each other?" asked Salemina, when Francesca had gone into the hall to try long drives. (There is a good deal of excitement in this, as Miss Grieve has to cross the passage on her way from the kitchen to the china-closet, and thus often serves as a reluctant `hazard' or `bunker.')
"Do you mean what should we have done?" I queried.
"Nonsense, don't be captious! It can't be too late yet. They have known each other only a little over two months; when would you have had me interfere, pray?"
"It depends upon what you expect to accomplish. If you wish to stop the marriage, interfere in a fortnight or so; if you wish to prevent an engagement, speak--well, say to-morrow; if, however, you didn't wish them to fall in love with each other, you should have kept one of them away from Lady Baird's dinner."
