They called him the Wild Margrave, in their instinctive revolt from the belief that any man not untamably savage could be guilty of his atrocities; and they called his son the Last Margrave, with a touch of the poetry which perhaps records a regret for their extinction as a state. He did not harry them as his father had done; his mild rule was the effect partly of the indifference and distaste for his country bred, by his long sojourns abroad; but doubtless also it was the effect of a kindly nature. Even in the matter of selling a few thousands of them to fight the battles of a bad cause on the other side of the world, he had the best of motives, and faithfully applied the proceeds to the payment of the state debt and the embellishment of the capital.
His mother was a younger sister of Frederick the Great, and was so constantly at war with her husband that probably she had nothing to do with the marriage which the Wild Margrave forced upon their son. Love certainly had nothing to do with it, and the Last Margrave early escaped from it to the society of Mlle. Clairon, the great French tragedienne, whom he met in Paris, and whom he persuaded to come and make her home with him in Ansbach. She lived there seventeen years, and though always an alien, she bore herself with kindness to all classes, and is still remembered there by the roll of butter which calls itself a Klarungswecke in its imperfect French.
No roll of butter records in faltering accents the name of the brilliant and disdainful English lady who replaced this poor tragic muse in the Margrave's heart, though the lady herself lived to be the last Margravine of Ansbach, where everybody seems to have hated her with a passion which she doubtless knew how to return. She was the daughter of the Earl of Berkeley, and the wife of Lord Craven, a sufficiently unfaithful and unworthy nobleman by her account, from whom she was living apart when the Margrave asked her to his capital. There she set herself to oust Mlle.
Clairon with sneers and jests for the theatrical style which the actress could not outlive. Lady Craven said she was sure Clairon's nightcap must be a crown of gilt paper; and when Clairon threatened to kill herself, and the Margrave was alarmed, "You forget," said Lady Craven, "that actresses only stab themselves under their sleeves."
She drove Clairon from Ansbach, and the great tragedienne returned to Paris, where she remained true to her false friend, and from time to time wrote him letters full of magnanimous counsel and generous tenderness.
But she could not have been so good company as Lady Craven, who was a very gifted person, and knew how to compose songs and sing them, and write comedies and play them, and who could keep the Margrave amused in many ways. When his loveless and childless wife died he married the English woman, but he grew more and more weary of his dull little court and his dull little country, and after a while, considering the uncertain tenure sovereigns had of their heads since the French King had lost his, and the fact that he had no heirs to follow him in his principality, he resolved to cede it for a certain sum to Prussia. To this end his new wife's urgence was perhaps not wanting. They went to England, where she outlived him ten years, and wrote her memoirs.
The custodian of the Schloss came at last, and the Marches saw instantly that he was worth waiting for. He was as vainglorious of the palace as any grand-monarching margrave of them all. He could not have been more personally superb in showing their different effigies if they had been his own family portraits, and he would not spare the strangers a single splendor of the twenty vast, handsome, tiresome, Versailles-like rooms he led them through. The rooms were fatiguing physically, but so poignantly interesting that Mrs. March would not have missed, though she perished of her pleasure, one of the things she saw. She had for once a surfeit of highhoting in the pictures, the porcelains, the thrones and canopies, the tapestries, the historical associations with the margraves and their marriages, with the Great Frederick and the Great Napoleon. The Great Napoleon's man Bernadotte made the Schloss his headquarters when he occupied Ansbach after Austerlitz, and here he completed his arrangements for taking her bargain from Prussia and handing it over to Bavaria, with whom it still remains. Twice the Great Frederick had sojourned in the palace; visiting his sister Louise, the wife of the Wild Margrave, and more than once it had welcomed her next neighbor and sister Wilhelmina, the Margravine of Baireuth, whose autobiographic voice, piercingly plaintive and reproachful, seemed to quiver in the air. Here, oddly enough, the spell of the Wild Margrave weakened in the presence of his portrait, which signally failed to justify his fame of furious tyrant.
That seems, indeed, to have been rather the popular and historical conception of him than the impression he made upon his exalted contemporaries. The Margravine of Baireuth at any rate could so far excuse her poor blood-stained brother-in-law as to say: "The Margrave of Ansbach . . . was a young prince who had been very badly educated.
He continually ill-treated my sister; they led the life of cat and dog.
My sister, it is true, was sometimes in fault . . . . Her education had been very bad. . . She was married at fourteen."
