登陆注册
5428900000017

第17章 CHIEF FORMS AND GENERAL ATTRIBUTES OF PSYCHICAL(4)

It is the same distinction that we find in the characterization of the subject, which stands in immediate relation to the feelings, as a unit, in contrast with the plurality of the objects, to which the sensations are related.

6a. It is only in modern psychology that the terms "sensation" and "feeling" have gained the meanings assigned to them in the definitions above given.

In older psychological literature they were sometimes used indiscriminatingly, sometimes interchanged. Even yet sensations of touch and those from the internal organs are called feelings by physiologists, and the sense of touch itself is known as the "sense of feeling". This corresponds, it is true, to the original significance of the word, where feeling is the same as touching, still, after the very useful differentiation has once been made, a confusion of the two terms should be avoided. Then again, the word "sensation" is used even by psychologists to mean not only simple, but also composite qualities, such as compound clangs and spacial and temporal ideas. But since we have the entirely adequate word "idea" for such compounds, it is more advantageous to limit the word sensation to psychologically simple sense-qualities. Finally, the term "sensation" has sometimes been restricted so as to mean only those stimulations which come directly from external sense-stimuli. For the psychological attributes of a sensation, however, this circumstance is entirely irrelevant, and therefore such a definition of the term is unjustifiable. The discrimination between sensational and affective elements in any concrete case is very much facilitated by the existence of indifference-zones in the feelings. Then again, from the fact that feelings range between opposites rather than mere differences, it follows that they are much the more variable elements of our immediate experience. This changeable character, which renders it almost impossible to hold an affective state constant in quality and intensity, is the cause of the great difficulties that stand in the way of the exact investigation of feelings.

Sensations are present in all immediate experiences, but feelings may disappear in certain special cases, because of their oscillation through an indifference-zone. Obviously, then, we call, in the case of sensations, abstract from the accompanying feelings, but never vice versa. In this way two false views may easily arise, either that sensations are the causes of feelings, or that feelings are a particular species of sensations.

The first of these opinions is false because affective elements can never be derived from sensations as such, but only from the attitude of the subject, so that under different subjective conditions the same sensation may be accompanied by different feelings. The second is untenable because the two classes of elements are distinguished, on the one hand by the immediate relation of sensations to objects and of feelings to the subject, and on the other by the fact that the former range between maximal differences, the latter between maximal opposites. Because of the objective and subjective factors belonging to all psychical experience, sensations and feelings are to be looked upon as real and equally essential, though everywhere interrelated, elements of psychical phenomena. In this interrelation the sensational elements appear as the more constant; they alone can be isolated through abstraction, by referring them to external objects. It follows, therefore, of necessity that in investigating the attributes of both, we must start with the sensations. Simple sensations, in the consideration of which we abstract from the accompanying affective elements, are called pure sensations . Obviously, we can never speak of "pure feelings" in a similar sense, since simple feelings can never be thought of apart from the accompanying sensations and combinations of sensations. This fact is directly connected with the second distinguishing characteristic mentioned above (p. 34 sq).

同类推荐
  • 太上灵宝净明法序

    太上灵宝净明法序

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 渐悟集

    渐悟集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 道行般若波罗蜜经

    道行般若波罗蜜经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 荥阳外史集

    荥阳外史集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 道德经新解

    道德经新解

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 侯官县乡土志

    侯官县乡土志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 世界最具可读性的短篇小说(5)

    世界最具可读性的短篇小说(5)

    我的课外第一本书——震撼心灵阅读之旅经典文库,《阅读文库》编委会编。通过各种形式的故事和语言,讲述我们在成长中需要的知识。
  • 宿主她真可爱

    宿主她真可爱

    男神:为什么不想和我谈恋爱?徐缓一本正经道:因为我要做任务呀。这是一个可爱专一一心只有任务的宿主,没想到被某人缠上。没办法,那我们只好边做任务边谈恋爱!系统:你你你你你你你你你个大骗子,放开我们家宿主让我来【不是】
  • 和未婚夫相爱相杀

    和未婚夫相爱相杀

    纪乐刚和时野分手,第二天就传来他们要订婚的消息…逗她呢,,,
  • 机器人侦探阿熏①

    机器人侦探阿熏①

    地铁是现代都市人最便捷的交通工具,发明地铁的人一定想不到那小小的铁皮盒子居然能容纳那么多被挤得变了形的人类。像我这样的地铁一族,早已习惯了在任何狭窄拥挤的环境中处变不惊。一踏出地铁,我便自然地朝左拐弯。距离地铁口五米远的地方,伫立着一座四平米大小的书报亭,两扇朝外敞开的铁皮门上挂满了花花绿绿的杂志。每天早晨在书报亭买一份早报,是我雷打不动的习惯。习惯这种东西很可怕,一旦长年累月地坚持同一个行为,这个行为就会成为你生活中的一部分。
  • 未来似星火

    未来似星火

    许棠代替着哥哥许堂活着,年少的少女扮作少年,清瘦俊逸,在替哥哥完成梦想,拼命找寻当年真相的过程中意外收获了一堆兄弟以及.......一群萌妹子追求者?某大少微微挑眉,眉宇间散发出淡淡哀愁:“棠棠啊,我说过你是我的,怎么还在外面招蜂引蝶呢?”某女入戏太深:“我不是gay。”“.......”
  • 洪荒之重生蚩尤

    洪荒之重生蚩尤

    迟游穿越到了洪荒世界,成为了大巫蚩尤。然而命运长河早已注定,十二祖巫战死,夸父逐日而亡,后羿困守太阴,刑天身首异处,蚩尤更是被大卸八块!但是迟游无法接受自己悲惨的命运!既然重活一世,他要逆流而上,更改自己的悲惨结局!
  • 玄黄之梁

    玄黄之梁

    注意:本书为【系统流】【无限流】,本书开始会迅速过剧情,大概在40章左右才会开始详写。玄,青且黑,故为天色。黄,土色也,轩辕氏位焉,是故黄为帝色。至于天地伊始,大道化形,分为清浊二气,清气浮而为天,浊气凝而为地,故道者,立而载天地,为天地之梁。
  • 世界中心的情与怨:厄瓜多尔当代短篇小说选

    世界中心的情与怨:厄瓜多尔当代短篇小说选

    这部小说集收录了厄瓜多尔当代最重要的三十名中、新生代小说家以及他们的短篇精品。它们大多以城市生活为背景,为读者展现当前厄瓜多尔年青一代的生活,他们的价值观,他们对爱的理解与感受。作品跳出了对拉美文学乡土化的固有印象,给人耳目一新之感。