登陆注册
5412100000037

第37章

The Eccentric Seclusion of the Old Lady The conversation of Rupert Grant had two great elements of interest--first, the long fantasias of detective deduction in which he was engaged, and, second, his genuine romantic interest in the life of London.His brother Basil said of him: "His reasoning is particularly cold and clear, and invariably leads him wrong.But his poetry comes in abruptly and leads him right."Whether this was true of Rupert as a whole, or no, it was certainly curiously supported by one story about him which Ithink worth telling.

We were walking along a lonely terrace in Brompton together.The street was full of that bright blue twilight which comes about half past eight in summer, and which seems for the moment to be not so much a coming of darkness as the turning on of a new azure illuminator, as if the earth were lit suddenly by a sapphire sun.

In the cool blue the lemon tint of the lamps had already begun to flame, and as Rupert and I passed them, Rupert talking excitedly, one after another the pale sparks sprang out of the dusk.Rupert was talking excitedly because he was trying to prove to me the nine hundred and ninety-ninth of his amateur detective theories.

He would go about London, with this mad logic in his brain, seeing a conspiracy in a cab accident, and a special providence in a falling fusee.His suspicions at the moment were fixed upon an unhappy milkman who walked in front of us.So arresting were the incidents which afterwards overtook us that I am really afraid that I have forgotten what were the main outlines of the milkman's crime.I think it had something to do with the fact that he had only one small can of milk to carry, and that of that he had left the lid loose and walked so quickly that he spilled milk on the pavement.This showed that he was not thinking of his small burden, and this again showed that he anticipated some other than lacteal business at the end of his walk, and this (taken in conjunction with something about muddy boots) showed something else that I have entirely forgotten.I am afraid that I derided this detailed revelation unmercifully; and I am afraid that Rupert Grant, who, though the best of fellows, had a good deal of the sensitiveness of the artistic temperament, slightly resented my derision.He endeavoured to take a whiff of his cigar, with the placidity which he associated with his profession, but the cigar, I think, was nearly bitten through.

"My dear fellow," he said acidly, "I'll bet you half a crown that wherever that milkman comes to a real stop I'll find out something curious.""My resources are equal to that risk," I said, laughing."Done."We walked on for about a quarter of an hour in silence in the trail of the mysterious milkman.He walked quicker and quicker, and we had some ado to keep up with him; and every now and then he left a splash of milk, silver in the lamplight.Suddenly, almost before we could note it, he disappeared down the area steps of a house.I believe Rupert really believed that the milkman was a fairy; for a second he seemed to accept him as having vanished.

Then calling something to me which somehow took no hold on my mind, he darted after the mystic milkman, and disappeared himself into the area.

I waited for at least five minutes, leaning against a lamp-post in the lonely street.Then the milkman came swinging up the steps without his can and hurried off clattering down the road.Two or three minutes more elapsed, and then Rupert came bounding up also, his face pale but yet laughing; a not uncommon contradiction in him, denoting excitement.

"My friend," he said, rubbing his hands, "so much for all your scepticism.So much for your philistine ignorance of the possibilities of a romantic city.Two and sixpence, my boy, is the form in which your prosaic good nature will have to express itself.""What?" I said incredulously, "do you mean to say that you really did find anything the matter with the poor milkman?"His face fell.

"Oh, the milkman," he said, with a miserable affectation at having misunderstood me."No, I--I--didn't exactly bring anything home to the milkman himself, I--""What did the milkman say and do?" I said, with inexorable sternness.

"Well, to tell the truth," said Rupert, shifting restlessly from one foot to another, "the milkman himself, as far as merely physical appearances went, just said, `Milk, Miss,' and handed in the can.That is not to say, of course, that he did not make some secret sign or some--"I broke into a violent laugh."You idiot," I said, "why don't you own yourself wrong and have done with it? Why should he have made a secret sign any more than any one else? You own he said nothing and did nothing worth mentioning.You own that, don't you?"His face grew grave.

"Well, since you ask me, I must admit that I do.It is possible that the milkman did not betray himself.It is even possible that I was wrong about him.""Then come along with you," I said, with a certain amicable anger, "and remember that you owe me half a crown.""As to that, I differ from you," said Rupert coolly."The milkman's remarks may have been quite innocent.Even the milkman may have been.But I do not owe you half a crown.For the terms of the bet were, I think, as follows, as I propounded them, that wherever that milkman came to a real stop I should find out something curious.""Well?" I said.

"Well," he answered, "I jolly well have.You just come with me,"and before I could speak he had turned tail once more and whisked through the blue dark into the moat or basement of the house.Ifollowed almost before I made any decision.

When we got down into the area I felt indescribably foolish literally, as the saying is, in a hole.There was nothing but a closed door, shuttered windows, the steps down which we had come, the ridiculous well in which I found myself, and the ridiculous man who had brought me there, and who stood there with dancing eyes.I was just about to turn back when Rupert caught me by the elbow.

同类推荐
  • Poems1

    Poems1

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 玄灵转经午朝行道仪

    玄灵转经午朝行道仪

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 菩萨道树经

    菩萨道树经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 无畏三藏禅要

    无畏三藏禅要

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 东周列国志

    东周列国志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 杭州宋代食料史(中国地方社会科学院学术精品文库·浙江系列)

    杭州宋代食料史(中国地方社会科学院学术精品文库·浙江系列)

    《杭州宋代食料史》是作者继《中国食料史》之后的第一个个案研究。宋代是杭州食料史上的一个关键节点,如果说此前的杭州食料还泯然于江南传统的“饭稻羹鱼”,与周边地区没有什么太大区别,那么此后的杭州食料就带着自己的浓郁色彩粉墨登场,而且被一直延续下来。可以说“杭邦食料”的格局就典定于宋代,现代所谓的“杭邦菜”就建立在这种“杭邦食料”的基础上。书中介绍了多种食料,内容丰富。
  • 道修养性

    道修养性

    “道”是老子哲学体系的最高范畴。本书从八个方面阐述老子的“道”修养性思想。刚柔相济的生存智慧;忍一时退一步,海阔天空;道法自然,心境自可平和;示人以弱,将锋芒隐藏起来;给别人留点空间;为人处事必须具备“大”的胸怀;以德报怨是最大的宽容。顺逆从容的人生选择:老子说道是简单的,快乐也是很简单的;无“患”即无忧;世俗的看法不一定就是对的;生时不留遗憾;顺其自然事事顺;不必烦恼,办法总比困难多。
  • 魂破玄穹

    魂破玄穹

    他是一个拥有九龙天脉的现代人,在一次奇异的穿越来到这个星界,九条龙脉幻化成九银纹图,绣纹在凌风之身——九银纹龙;随着一条条龙魂的觉醒,他将踏上一条惊心动魄的传奇之旅。
  • 跨世记

    跨世记

    假如可以随心所欲的弥补过去的遗憾,是否人生就没有了遗憾?从时空追溯开始,跨越独立而羁绊的无数世界,萧然有幸成为其中的命运架构师...从跨越时空开始,穿行在时间线交叉穿插的因果之中,是走钢丝,也是命运的导师......各人命运的羁绊,碰撞出因果交汇的火花,波澜壮阔的无数世界,用无尽的魅力极尽诱惑之能事,让深陷其中之人欲罢不能……(保证完本)
  • 太上镜之映照诸天

    太上镜之映照诸天

    天降奇遇,叶凝获得了一面满是裂纹的混沌石镜,能够借助它穿行诸天,然而它带来的,是好?是坏?被迫穿越到第一个世界之后,带给叶凝的不是成功与辉煌,而是惨不忍睹的被追杀生涯…… 在身受重伤,石镜复苏、坦然的揭露事实之作,他才知道,自己不是主角,而是某位龙傲天式真主角归来的挡箭牌和路标.......得知了这个无比残酷的真相,石镜直接给了他一个穿越诸天、复活那位“龙傲天”的任务……究竟是成为别人的口中食、脚下骨,还是在血与火之中踏着众生的尸骸走向巅峰?他究竟该怎么选择?又能如何选择? ps:读者群——714,291,470
  • 地球的花衣:自然奇观(地理知识知道点)

    地球的花衣:自然奇观(地理知识知道点)

    山是地球上分布最为广泛的地貌之一,高耸入云的山峰常常给人一种博大宽厚之感。正因为如此,山历来都是人们向往之地,历史上的隐士常常选择名山作为隐居之地,孔子也曾说过“智者乐水,仁者乐山”这样的话。
  • 易少心尖宠:邪魅男神是女生

    易少心尖宠:邪魅男神是女生

    邪魅成妖的少年遇上温儒清雅的男人时,一切都是命中注定的缘分。重生后的日子明明可以很平静,简倾九偏偏要制造出个大惊心动魄的事情。逃学旷课、打架斗殴、进酒吧、玩赛车等一系列危险事件。作为家长的易北浔很是头疼。家里小孩青春期叛逆怎么办?在线等,挺急的。看见自家孩子和女同学一起,家长赶紧把孩子带回家做了一番教育。心理辅导、写检讨、背家规等种种如何教育孩子的“阴险手段”?!
  • 霸王春秋4:横空出世吴阖闾

    霸王春秋4:横空出世吴阖闾

    春秋第四霸,吴王阖闾。名不见经传的化外小国,远离中原,默默无闻,却突然兴起于东南,蒸蒸日上。一时间,名流涌集,人才荟萃,数年之间,便以惊人的速度不可思议的成为了天下一大强国!然后挥师中原,纵横天下,所向披靡,灭了霸主,至此再无人敢来称霸!本书带你重返春秋,揭示"重组”的秘密。
  • 回首月圆否

    回首月圆否

    每个人都有不同于其他人的人生经历,有的人把这些经历看作有意义的事,有些人却觉得很普通,苏兮兮却是一个矛盾的人,以前认为自己是个不同凡响的人总在考虑是上清华还是北大,现在却颓废地在技校呆着混吃等死,她原以为人生就只能如此了,一个男孩却进入了她的世界......
  • 雨月物语·春雨物语

    雨月物语·春雨物语

    这本书共五卷九篇志怪小说,有借史事阐述理想抱负,有的托鬼怪谴责人间不平,有的张扬儒学以惩恶劝善,有的探讨宗教哲理和人生真谛。《雨月物语》熔日本民间传说和中国神怪故事于一炉,文字精妙、朗朗上口;情节曲折、结构严密,更兼人物性格鲜明、氛围刻画生动,是日本文学史上的经典杰作。《春雨物语》是《雨月物语》的姊妹篇,取材全部来自日本正史或野史轶闻,成稿于上田秋成晚年时期,它巧妙地融合了真实历史、虚构传奇这量大要素,带有浓郁的寓言和讽世色彩。是作者思想认识、人生体悟都达到顶点的力作,在其去世后才出版刊行。