Among his most distinguished fellow-scholars were Bartolommeo Valori, Donato Acciaiuoli, and Pierfilippo Pandolfini.The enthusiastic teacher declares in several passages of his writings that Lorenzo had sounded all the depths of the Platonic philosophy, and had uttered his conviction that without Plato it would be hard to be a good Christian or a good citizen.The famous band of scholars which surrounded Lorenzo was united together, and distinguished from all other circles of the kind, by this passion for a higher and idealistic philosophy.Only in such a world could a man like Pico della Mirandola feel happy.But perhaps the best thing of all that can be said about it is, that, with all this worship of antiquity, Italian poetry found here a sacred refuge, and that of all the rays of light which streamed from the circle of which Lorenzo was the centre, none was more powerful than this.As a statesman, let each man judge him as he pleases; a foreigner will hesitate to pronounce what was due to human guilt and what to circumstances in the fate of Florence, but no more unjust charge was ever made than that in the field of culture Lorenzo was the protector of mediocrity, that through his fault Leonardo da Vinci and the mathematician Fra Luca Pacioli lived abroad, and that Toscanella, Vespucci, and others at least remained unsupported.He was not, indeed, a man of universal mind; but of all the great men who have striven to favour and promote spiritual interests, few certainly have been so many-sided, and in none probably was the inward need to do so equally deep.
The age in which we live is loud enough in proclaiming the worth of culture, and especially of the culture of antiquity.But the enthusiastic devotion to it, the recognition that the need of it is the first and greatest of all needs, is nowhere to be found in such a degree as among the Florentines of the fifteenth and the early part of the sixteenth centuries.On this point we have indirect proof which precludes all doubt.It would not have been so common to give the daughters of the house a share in the same studies, had they not been held to be the noblest of earthly pursuits; exile would not have been turned into a happy retreat, as was done by Palla Strozzi; nor would men who indulged in every conceivable excess have retained the strength and the spirit to write critical treatises on the 'Natural History' of Pliny like Filippo Strozzi.Our business here is not to deal out either praise or blame, but to understand the spirit of the age in all its vigorous individuality.
Besides Florence, there were many cities of Italy where individuals and social circles devoted all their energies to the support of humanism and the protection of the scholars who lived among them.The correspondence of that period is full of references to personal relations of this kind.The feeling of the instructed classes set strongly and almost exclusively in this direction.
But it is now time to speak of humanism at the Italian courts.The natural alliance between the despot and the scholar, each relying solely on his personal talent, has already been touched upon; that the latter should avowedly prefer the princely courts to the free cities, was only to be expected from the higher pay which they there received.
At a time when the great Alfonso of Aragon seemed likely to become master of all Italy, AEneas Sylvius wrote to another citizen of Siena:
'I had rather that Italy attained peace under his rule than under that of the free cities, for kingly generosity rewards excellence of every kind'.Too much stress has latterly been laid on the unworthy side of this relation, and the mercenary flattery to which it gave rise, just as formerly the eulogies of the humanists led to a too favourable judgement on their patrons.Taking all things together, it is greatly to the honour of the latter that they felt bound to place themselves at the head of the culture of their age and country, one-sided though this culture was.In some of the popes, the fearlessness of the consequences to which the new learning might lead strikes us as something truly, but unconsciously, imposing.Nicholas V was confident of the future of the Church, since thousands of learned men supported her.Pius II was far from making such splendid sacrifices for humanism as were made by Nicholas, and the poets who frequented his court were few in number;but he himself was much more the personal head of the republic of letters than his predecessor, and enjoyed his position without the least misgiving.Paul II was the first to dread and mistrust the culture of his secretaries, and his three successors, Sixtus, Innocent, and Alexander, accepted dedications and allowed themselves to be sung to the hearts' content of the poets -- there even existed a 'Borgiad', probably in hexameters -- but were too busy elsewhere, and too occupied in seeking other foundations for their power, to trouble themselves much about the poet-scholars.Julius II found poets to eulogize him, because he himself was no mean subject for poetry, but he does not seem to have troubled himself much about them.He was followed by Leo X, 'as Romulus by Numa' -- in other words after the warlike turmoil of the first pontificate, a new one was hoped for wholly given to the muses.
The enjoyment of elegant Latin prose and melodious verse was part of the programme of Leo's life, and his patronage certainly had the result that his Latin poets have left us a living picture of that joyous and brilliant spirit of the Leonine days, with which the biography of Jovius is filled, in countless epigrams, elegies, odes, and orations.
