登陆注册
5385500000085

第85章 Appendix I:Production,Consumption,Distribution,Exc

It is moreover wrong to consider society as a single subject,for this is a speculative approach.With regard to one subject,production and consumption appear as phases of a single operation.Only the most essential point is emphasised here,that production and consumption,if considered as activities of one subject or of single individuals,appear in any case as phases of one process whose actual point of departure is production which is accordingly the decisive factor.Consumption,as a necessity and as a need,is itself an intrinsic aspect of productive activity;the latter however is the point where the realisation begins and thus also the decisive phase,the action epitomising the entire process.An individual produces an object and by consuming it returns again to the point of departure:he returns however as a productive individual and an individual who reproduces himself.Consumption is thus a phase of production.

But in society,the relation of the producer to the product after its completion is extrinsic,and the return of the product to the subject depends on his relations to other individuals.The product does not immediately come into his possession.Its immediate appropriation,moreover,is not his aim,if he produces within society.Distribution ,which on the basis of social laws determines the individual's share in the world of products,intervenes between the producer and the products,i.e.,between production and consumption.

Is distribution,therefore,an independent sector alongside and outside production?b.[Production and Distribution]When looking through the ordinary run of economic works,one's attention is attracted forthwith by the fact that everything is mentioned twice,e.g.,rent,wages,interest and profit figure under the heading distribution,while under the heading of production land,labour and capital appear as factors of production.As to capital,it is evident from the outset that this is counted twice,first as a factor of production,and secondly as a source of income;i.e.,as a determining and determinate form of distribution.

Interest and profit appear therefore in production as well,since they are forms in which capital increases and grows,and are thus phases of its production.As forms of distribution,interest and profit presuppose capital as a factor of production.They are forms of distribution whose pre-condition is the existence of capital as a factor of production.They are likewise modes of reproduction of capital.

Wages represent also wage-labour,which is examined in a different section;the particular function that labour performs as a factor of production in the one case appears as a function of distribution in the other.If labour did not have the distinct form of wage-labour,then its share in the product would not appear as wages,as for instance in slavery.Finally rent --if we take the most advanced form of distribution by which landed property obtains a share in the product-presupposes large-scale landed property (strictly speaking,large-scale agriculture)as a factor of production,and not land in general;just as wages do not presuppose labour in general.

The relations and modes of distribution are thus merely the reverse aspect of the factors of production.An individual whose participation in production takes the form of wage-labour will receive a share in the product,the result of production,in the form of wages.The structure of distribution is entirely determined by the structure of production.Distribution itself is a product of production,not only with regard to the content,for only the results of production can be distributed,but also with regard to the form,since the particular mode of men's participation in production determines the specific form of distribution,the form,in which they share in distribution.

It is altogether an illusion to speak of land in the section on production,and of rent in the section on distribution,etc.

Economists like Ricardo who are mainly accused of having paid exclusive attention to production,have accordingly regarded distribution as the exclusive subject of political economy,for they have instinctively treated the forms of distribution as the most precise expression in which factors of production manifest themselves in a given society.

To the single individual distribution naturally appears as a social law,which determines his position within the framework of production,within which he produces;distribution thus being antecedent to production.

An individual who has neither capital nor landed property of his own is dependent on wage-labour from his birth as a consequence of social distribution.

But this dependence is itself the result of the existence of capital and landed property as independent factors of production.

When one considers whole societies,still another aspect of distribution appears to be antecedent to production and to determine it,as though it were an ante-economic factor.A conquering nation may divide the land among the conquerors and in this way imposes a distinct mode of distribution and form of landed property,thus determining production.Or it may turn the population into slaves,thus making slave-labour the basis of production.

Or in the course of a revolution,a nation may divide large estates into plots,thus altering the character of production in consequence of the new distribution.Or legislation may perpetuate land ownership in certain families,or allocate labour as a hereditary privilege,thus consolidating it into a caste system.In all these cases,and they have all occurred in history,it seems that distribution is not regulated and determined by production but,on the contrary,production by distribution.

同类推荐
  • 花部农谭

    花部农谭

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Satires of Circumstance

    Satires of Circumstance

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 太公金匮

    太公金匮

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • Ancient Poems

    Ancient Poems

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 古今注

    古今注

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 殇忧

    殇忧

    辽后萧绰之子林承殇,十三岁时辗转流落宋朝都城,邂逅二十岁的杜无忧,一见倾心十年后——宋朝开封府衙中……林承殇缓缓推出轮椅对眼前女子狠狠说道:“杜无忧,觉得凭借如今的天波府,还能救得了大厦将倾的宋朝吗?呵!你一直都是这么不自量力”杜无忧转过脸庞喝道:“废话不说,但尽已力”手中夺命刀仍旧架在眼前男子的脖颈之上,满目泪流,嘴里不禁咬出血迹终于,林承殇还是看穿了她的隐忍,只败了给她,屈服了随后,在阳光透彻的茶坊之中,林承殇头也不回的离开,身旁侍女怀中带着一个两岁左右的幼童,一驾马车向也都城驰去途中,萧念早已沉沉睡去,林承殇却不禁看着女儿出了神,思道:“念儿,最后看一眼开封吧,我们不会再回来了”辽宫天启殿内,萧太后细毫一挥,在宋朝丞相寇准带来“檀渊之盟”的议和书中签署最后却不得不承认了一句:“寇相,果真好谋略!”与此同时,林承殇抱着萧念回了天启殿后道:“娘亲,儿子带着念儿回来了……”萧太后含泪心痛,接过孙女,扶手带过林承殇,示意他站起来,这一切的纷争,终于有了定数。杜无忧则在天下平定之后,一人苦守孤狼谷数年,殇心忧思。
  • 心软是病爷认命

    心软是病爷认命

    又名《老婆,我认栽:总裁逼婚》豪门圈里人人知道,他不爱她,偏偏长辈们认定她该归他管,他走了什么霉运摊上这么个女人?某日,小女人兴奋相邀:“玩骰子?输的人要做一件他最不想做的事。”他玩味勾笑:“行,要是我输了,我就娶你!”她努嘴,歪着脑袋沉思:“哼,要是我输了,我就嫁给你!”该死的女人,居然敢说嫁给他是她最不想做的事!“女人,你活腻了吗?”
  • “小溜溜”溜了

    “小溜溜”溜了

    本书是中国著名科普文艺作家叶永烈先生的经典童话作品。故事中的小溜溜在额头贴上邮票,作为一封“信”开始了旅行。他到过房屋是用巧克力做的、天上下白糖的巧克力市,到过报纸比杂志还要厚的啰唆市,在玩儿市和扑克牌中的小J、小Q、小K玩过扑克,在离开胆小城后变成了小不点儿……原来天底下有那么多奇怪、有趣的地方啊!
  • 这份喜欢有点甜

    这份喜欢有点甜

    【1V1、女团、乐队、校园、娱乐圈、小甜文】林羽湘:“最近有传闻说你喜欢我?”某影帝:“那不是传闻。”——某漫画大神:“以后,不许和姓华的单独见面!”夏婉:“为什么?”某漫画大神:“我、会、吃、醋。”——苏俏俏:“好烦啊,新歌一点儿灵感都没有!”某总裁:“这周末我们去马尔代夫,你可以尽情找灵感。”——冰茗雪:“我觉得,我不适合恋爱。”某电竞大神:“你适合结婚。”下一秒,一个闪亮亮的十克拉钻戒出现在了冰茗雪眼前。——〔KING乐队阅读指南〕〔4对主CP〕:1、‘日久生情’组:(林羽湘x木少言)《我最好的朋友怎么可能喜欢我》【全能才女/队长/键盘手×闷骚忠犬/影帝】2、‘互为月光’组:(夏婉x许晟)《肥宅的我变美后竟然和我最喜欢的漫画大神交往了》【富家宅女/主唱/贝斯手×桀骜不驯/漫画大神】3、‘一见钟情’组:(苏俏俏x李铭越)《我的知心老师兼暖心学长绝对不是霸道总裁》【元气少女/创担/吉他手×儒雅腹黑/总裁】4、‘青梅竹马’组:(冰茗雪x乐翊川)《我的竹马弟弟不可能是电竞大神》【神颜门面/鼓手×默默守护/电竞大神】
  • 群仙要语纂集

    群仙要语纂集

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 江湖游侠之紫卿狂

    江湖游侠之紫卿狂

    紫家,一个具有上千年历史的家族,而她紫卿狂便是紫家第三十三代家主,一个拥有了天下一半权势的女子,一个踩着日月,带着光辉,众星推捧的慵懒而又高雅的女子……她行过乞,当过兵,上过雪山,下过深海,她为情爱自断一指,为爱堕落,为爱疯狂,为爱追敌三千里,成就“紫魔”威名。她,紫卿狂,是水与火的共体,是血与狂的交融,是爱与无情的流露。有的时候,她像是淡漠的风,飘忽多变让人琢磨不透,也拘束不着。有的时候,她像是一个天真单纯孩子,古灵精怪的很是可爱;有的时候,她像是一个风情万种的妖精,绝世妖娆魅惑世人;有的时候,她像是一个看透世事的智者,谈笑间已经掌控天下;有的时候,她像是一个冷酷无情的霸主,挥剑横指间无视苍生;有的时候,有的时……她是一个无法解析的迷,而这个迷的名字就是紫卿狂!
  • 重臣嫡女

    重臣嫡女

    穿越女一直自我标榜:万人迷+女主角=幸运女神。所有和穿越女作对的:赠送一套杯具。所有俊美的少年郎们:爱慕她!爱慕她!爱慕她。投湖自尽的重臣嫡女,某一天突然醒来,发现庶妹未长成,阴谋未算计,一切都还来得及。而今原住民嫡女要让穿越女知道什么叫作了就得死。目标:了尽冤仇,嫁娶作妇过上幸福日子……
  • 糊涂百年:郑板桥传

    糊涂百年:郑板桥传

    作家忽培元,能文能诗能画,与传主有心灵契合,故下笔如有神。本书着重刻画了传主的耿耿风骨和多方面才华,从社会历史和人物关系中,注重细节的递进和语言的文学情味。清代乾隆年间,“独领明月清辉”、人文荟萃的扬州,画坛中八个画家横空出世,一扫画苑中的陈腐气息、匠人气息,作品张扬个性,无论是画山水、人物,还是花卉、虫鱼,均与前人迥异,让世人惊骇,惊叹出了“扬州八怪”;而“八怪之首”,就是郑燮,字板桥者。此人不仅在三百年前,以他特立独行、别具一格的字画、诗词——尤为道情十首,名重当世,即使三百年后的今天,以他的画竹,及含义无穷的“难得糊涂”的四个大字,几乎家喻户晓。
  • 喋血阳澄湖

    喋血阳澄湖

    今年是中国人民抗日战争胜利70周年暨世界反法西斯战争胜利70周年,也是中国纪念全民抗战爆发78周年的日子。中国的抗日战争,是中国近代以来抗击外敌入侵第一次取得完全胜利的民族解放战争,中国人民的抗战胜利为世界反法西斯战争的胜利做出了巨大贡献。中国人民进行的抗日战争是整个世界反法西斯战争的一部分,开始时间最早、持续的时间最长,从1931年“九·一八”起整整坚持了14年。