It was Philip who first saw her; and he stood beside her for a moment motionless, stunned into an aspect of tranquility. This, then, was the end. All his ready sympathy, his wooing tenderness, his winning compliances, his self-indulgent softness, his perilous amiability, his reluctance to give pain or to see sorrow,--all had ended in this. For once, he must force even his accommodating and evasive nature to meet the plain, blank truth. Now all his characteristics appeared changed by the encounter; it was Harry who was ready, thoughtful, attentive,--while Philip, who usually had all these traits, was paralyzed among his dreams. Could he have fancied such a scene beforehand, he would have vowed that no hand but his should touch the breathless form of Emilia. As it was, he instinctively made way for the quick gathering of the others, as if almost any one else had a better right to be there.
The storm had blown itself out by sunrise; the wind had shifted, beating down the waves; it seemed as if everything in nature were exhausted. The very tide had ebbed away. The light-ship rested between the rocks, helpless, still at the mercy of the returning waves, and yet stillupright and with that stately look of unconscious pleading which all shipwrecked vessels wear. it is wonderfully like the look I have seen in the face of some dead soldier, on whom war had done its worst. Every line of a ship is so built for motion, every part, while afloat, seems so full of life and so answering to the human life it bears, that this paralysis of shipwreck touches the imagination as if the motionless thing had once been animated by a soul.
And not far from the vessel, in a chamber of the seaside farm-house, lay the tenderer and fairer wreck of Emilia. Her storms and her passions were ended. The censure of the world, the anguish of friends, the clinging arms of love, were nothing now to her. Again the soft shelter of unconsciousness had clasped her in; but this time the trance was longer and the faintness was unto death.
