登陆注册
4911100000049

第49章

Turning down a side street that led into the main square of the town, he found himself opposite the south end of the temple, with its two lofty towers that flanked the richly decorated main entrance. I will not attempt to describe the architecture, for my father could give me little information on this point. He only saw the south front for two or three minutes, and was not impressed by it, save in so far as it was richly ornamented--evidently at great expense--and very large. Even if he had had a longer look, I doubt whether I should have got more out of him, for he knew nothing of architecture, and I fear his test whether a building was good or bad, was whether it looked old and weather-beaten or no. No matter what a building was, if it was three or four hundred years old he liked it, whereas, if it was new, he would look to nothing but whether it kept the rain out. Indeed I have heard him say that the mediaeval sculpture on some of our great cathedrals often only pleases us because time and weather have set their seals upon it, and that if we could see it as it was when it left the mason's hands, we should find it no better than much that is now turned out in the Euston Road.

The ground plan here given will help the reader to understand the few following pages more easily.

a. Table with cashier's seat on either side, and alms-box in front. The picture is exhibited on a scaffolding behind it. b. The reliquary. c. The President's chair. d. Pulpit and lectern. e. } f. } Side doors. g. } h. } i. Yram's seat. k. Seats of George and the Sunchild. o' Pillars.

A, B, C, D, E, F, G, H, blocks of seats.

I. Steps leading from the apse to the nave.

K and L. Towers.

M. Steps and main entrance.

N. Robing-room.

The building was led up to by a flight of steps (M), and on entering it my father found it to consist of a spacious nave, with two aisles and an apse which was raised some three feet above the nave and aisles. There were no transepts. In the apse there was the table (a), with the two bowls of Musical Bank money mentioned on an earlier page, as also the alms-box in front of it.

At some little distance in front of the table stood the President's chair (c), or I might almost call it throne. It was so placed that his back would be turned towards the table, which fact again shews that the table was not regarded as having any greater sanctity than the rest of the temple.

Behind the table, the picture already spoken of was raised aloft.

There was no balloon; some clouds that hung about the lower part of the chariot served to conceal the fact that the painter was uncertain whether it ought to have wheels or no. The horses were without driver, and my father thought that some one ought to have had them in hand, for they were in far too excited a state to be left safely to themselves. They had hardly any harness, but what little there was was enriched with gold bosses. My mother was in Erewhonian costume, my father in European, but he wore his clothes reversed. Both he and my mother seemed to be bowing graciously to an unseen crowd beneath them, and in the distance, near the bottom of the picture, was a fairly accurate representation of the Sunch'ston new temple. High up, on the right hand, was a disc, raised and gilt, to represent the sun; on it, in low relief, there was an indication of a gorgeous palace, in which, no doubt, the sun was supposed to live; though how they made it all out my father could not conceive.

On the right of the table there was a reliquary (b) of glass, much adorned with gold, or more probably gilding, for gold was so scarce in Erewhon that gilding would be as expensive as a thin plate of gold would be in Europe: but there is no knowing. The reliquary was attached to a portable stand some five feet high, and inside it was the relic already referred to. The crowd was so great that my father could not get near enough to see what it contained, but Imay say here, that when, two days later, circumstances compelled him to have a close look at it, he saw that it consisted of about a dozen fine coprolites, deposited by some antediluvian creature or creatures, which, whatever else they may have been, were certainly not horses.

In the apse there were a few cross benches (G and H) on either side, with an open space between them, which was partly occupied by the President's seat already mentioned. Those on the right, as one looked towards the apse, were for the Managers and Cashiers of the Bank, while those on the left were for their wives and daughters.

In the centre of the nave, only a few feet in front of the steps leading to the apse, was a handsome pulpit and lectern (d). The pulpit was raised some feet above the ground, and was so roomy that the preacher could walk about in it. On either side of it there were cross benches with backs (E and F); those on the right were reserved for the Mayor, civic functionaries, and distinguished visitors, while those on the left were for their wives and daughters.

Benches with backs (A, B, C, D) were placed about half-way down both nave and aisles--those in the nave being divided so as to allow a free passage between them. The rest of the temple was open space, about which people might walk at their will. There were side doors (e, j, and f, h) at the upper and lower end of each aisle. Over the main entrance was a gallery in which singers were placed.

As my father was worming his way among the crowd, which was now very dense, he was startled at finding himself tapped lightly on the shoulder, and turning round in alarm was confronted by the beaming face of George.

"How do you do, Professor Panky?" said the youth--who had decided thus to address him. "What are you doing here among the common people? Why have you not taken your place in one of the seats reserved for our distinguished visitors? I am afraid they must be all full by this time, but I will see what I can do for you. Come with me.""Thank you," said my father. His heart beat so fast that this was all he could say, and he followed meek as a lamb.

同类推荐
  • 大清著作权律

    大清著作权律

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 大乘密严经

    大乘密严经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 指要钞

    指要钞

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 从政录

    从政录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛祖正传古今捷录并拈颂

    佛祖正传古今捷录并拈颂

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 性格气质的故事(中华典故故事全集)

    性格气质的故事(中华典故故事全集)

    成语是汉语词汇宝库里的璀璨明珠。它是长期以来人们在相沿习用的过程中,形成的形式简洁而意义精辟的固定短语。它结构严谨,表现性强,具有庄重典雅的书面语色彩,历来为人们喜闻乐用。不论讲话或作文,准确恰当地镶嵌或点缀一些成语,会使语言锦上添花。
  • 修罗孽龙传

    修罗孽龙传

    【1v1】【强强】一朝为国罔死,却因恶鬼缠身而回到数年前,云淮初只要逆天改命,救自己的父兄罢了然天不遂人愿,恶鬼与她似是有缘,为了帮恶鬼寻找记忆和真相,一人一鬼屡有奇遇,而到最终才发现,原来她俩的缘竟是不可告人的秘密一念成神,一念成魔,谁才是真正的她?一路上遇到的那人又是谁的真爱?一个是恶女修罗,一个是贱种孽龙,逆天而行,不求善终,只想告诉那些所谓神明,尔等不过如此!
  • 一朵一朵的阳光

    一朵一朵的阳光

    《一朵一朵的阳光》共分为五辑,主要内容包括:你的容量有几何;感谢疼痛;起身的饺子落身的面;天使的产房;原谅一张蛛网。《一朵一朵的阳光》为我们打开了一扇窗户,我们看到了世界的美好,只要我们心中有爱。
  • 合锦回文传

    合锦回文传

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 嫡女无双

    嫡女无双

    世子府贴出告示:现征一名才貌双全,又懂得见风使舵,趋炎附势,见利忘义,过河折桥,见缝插针,刁钻圆滑的王妃。当然,当皇帝最之疼爱的秦王世子墨卿将这告示贴出之时,白家的二小姐,京城之中才貌双全,又懂得翻手为云,覆手为雨的白荷,轻轻一笑,信手揭下了告示,带着丫环离开。白苒啃着手中的半个馒头,脸上的半片红斑大火亮的照耀下,显得非常之狰狞,她漫不经心地给炉灶里添着柴,突然出现在她眼前的是十几年没见过面的亲爹,他爹扔给她一件白荷穿剩下的衣裳说是参加选妃,白苒急匆匆地跑后院的小水沟子里洗洗干净,屁巅屁巅地跟着白荷的轿子后面去了秦王府。第一轮,比貌。白荷:丹唇素齿,翠彩蛾眉白苒:唇色朱樱,红斑半脸第二轮,比才。白荷:吹箫引凤,技压群芳。白苒:清喉娇啭,唱死王臣。第三轮,比德。白荷:风华绝代,惊世奇才。白苒:疯花绝色,惊天动地一场一场比下来,太傅老眼晕花,脑袋被门拍过,淘汰才女一个又一个,偏偏留下了白家二女。暗处,墨卿薄唇轻扬,浅道:“有意思。”小厮:“爷说的是谁有意思?”最后一轮,世子亲自出马,题目,比胆!白荷自认从小随父管家,什么大场面没见过,就是皇上太后来了,她也敢正视,倒是白苒…白苒从小亲娘不在,亲爹不闻,天天窝在厨房里随着丫环奴才生火。她胆儿小,忒小了,想退缩,被白家亲爹一个眼神瞪了回去,不敢反驳。不过…小厮回报:“爷,您养兽园的那两只白虎不见了。”墨卿脸色微变,策马狂奔而去,看到的是皑皑白雪之半点火光,肉香四溢,引人口水。王爷青筋暴露,咬牙切齿,双拳紧握,淡定,淡定…“姑娘可否赏在下一块肉吃?”温润而雅,丰神如玉。素手一指,雪地里还有一只刚刚剥了皮血淋淋的虎身:“随便拿,不用客气,反正我吃不完的,也是用来喂狗。”侍卫回报:“爷,太子殿下被人扒光吊在皇城门口…”…白家大小姐,人前是唯唯诺诺,又不受人待见的丑丫头,人后却是做事凌厉风行,毫不拖泥带水暗阁女主人。前一刻,她还跪在白家老爹面前嗑头,下一刻,白家老爹为了那十万两的订单,舍命地在她的面前嗑头,让她情何以堪…道高一尺,魔高一丈,妖孽高出十万丈。墨卿世子,人前是嚣张跋扈:横行霸道被皇帝宠坏又恶名昭彰皇子,而背地里呢…P:见财忘义是会的,趋炎附势是会的,扮猪吃老虎经常干啊,抢个财,劫个色,当然也是偶尔做做的…
  • 重生之大地主传奇

    重生之大地主传奇

    一个从三流大学毕业的人,在经历了一系列的事件后,带着一个可成长的空间回到了大一,历经坎坷,随着空间的成长,主角也成长为一个让人仰视的人物,最终走出地球,冲向宇宙,创造了一个不朽的传奇……
  • 无限吞噬从一只猫开始

    无限吞噬从一只猫开始

    苏阳重生成为一只猫,进化全靠吞噬。地球灵气复苏,这里的参天大树高达百米,有数丈高的黑狼在森林中穿梭,有暴戾巨大的爆猿挥动巨木……!一只只传说中的灵兽,凶兽纷纷登场!强大的人类觉醒,有一刀横断长江水,有一剑纵横三千里……!看苏阳从一只猫开始,如何在这血腥乱世,进化成为丛林虎,弑天虎,神兽白虎,深渊魔虎……!最终,成就巅峰妖皇!……欢迎加入无限吞噬从一只猫开始,群聊号码:7905549651群以满,请加2群,群号:816633519,群名:无限吞噬从一只猫开始2群打赏20人民币以上获得弟子头衔,或者全订的书友可以找群主入vip群,vip群群号:901074249
  • 我的女巫妹妹们

    我的女巫妹妹们

    罗唐穿越到一个陌生的世界,成了一个小镇的领主。小镇边上的河里不但有鱼虾,还有水妖,森林里不但有野兽,还有女巫、妖怪、巨龙……好在还有一些可爱的女巫,招揽女巫,发展领地,有趣的女巫种田文。
  • 神品召唤师

    神品召唤师

    这是一个纷争的世界,一个弱肉强食的世界,不断的斗争之中,召唤师渐渐成为这个世界的主流......召唤师等级设定为:凡品,良品,优品,上品,极品,灵品,王品,玄品,圣品,帝品,神品。
  • 微信改变世界

    微信改变世界

    由中国财富出版社出版、网络新经济研究者、中国电子商务协会专家邱道勇先生撰写的国内第一本微信相关书籍《微信改变世界》在京上市发售。该书从微信应用入手,详细介绍了微信的发展,也收录了微信营销的经典案例并对案例进行了深入剖析。