登陆注册
1355500000015

第15章 Shipwrecked: a Brief Spiritual History of Human Ad

What is relevant to the word is people and I. Sacrifice does not mean not cherishing life. Life is me; life is a person; life is dignity and the center of the world. Understanding and solicitude of a person begins from the concern and respect of life. But in the past years, some life has been pressed into a specimen, a mould, even the stone in a river, and the wormwood by the river. Therefore, Mr. Yiren shouts: “Thousands of people are life-oriented / Freedom as dancing”. And he calls with deep emotion: “O the life which exhibits life / Your benevolent love incomparably huge / Makes me think of you in candlelight from time to time”. To respect life, to give it freedom, to give it love, and let it love freely. This is, actually, the purpose and meaning of our life. For all lives (not limited to human beings), is there anything more sublime than freedom and love? Freedom and love is the realm to be reached by all the beliefs and religions. This is the thorough liberation of lives, and the real life of human beings. But the problem is to this day, people have lost the aptitude inherent to human beings: human beings are no more “human beings”. This is the theme haunting the long poem. Then, what on earth has happened to human beings? —

[Existence]

This is the center of thinking and questioning in the long poem. What is relevant to the word is now and the present status. This is the proposition for the food of thinking of a poet and philosopher. Here I would like to talk about the existence and present status of human beings. According to the above-mentioned dictionary, people take freedom as the basic status, then people have already lost the feature of human beings. People are being alienated. The by-product of modernization is routinization of people, where people copy each other in their behavior. Human brain is withering; the feeling is being blunted; and human soul is gradually losing. In this way, people will think no more, will be unable to love. And people are human beings no more. Thus, the ship of human beings is going to sink down, which worries Yiren the most. Therefore, in this long poem, he calls people to live the life of human beings: to feel, to think, to find self, to love, and to create. A life without thinking is not different from that of a pig or a robot. Therefore, people shall know themselves, shall continue to pursue the meaning and value of life. Schlegel, a philosopher says, “people should carry out an evolution by force of their own strength and freedom, and the most important thing is to squeeze out all their effort to find their center. People either destroy themselves, or they renew themselves: there is no third way out.” To renew themselves means to restore people as human beings, for the world to return to their original state.

[Time]

It is a word that worries the reader in this long poem. What corresponds with it is something

definite and indefinite. Life is definite and time is indefinite, which leads to the tragedy of people.

In a direct way Yiren writes about time’s destruction of people and life: “I am still I how can I box myself in / Perhaps the end of time / Is unimaginable / Overnight / The soaring wings are bloody”; “Time leaves our mind so hastily / Sliding to some place out of the line of sight”. How fragile human beings are: they are powerless before existence, and at a loss what to do before time. Then, how to

make the definite life more active? Just give time life and beauty. Though time is indefinite, most of it is useless like trash; then we shall fill effective time with creation and beauty and love. Thus, time has

content, and time has life. Schelling, a philosopher, says: “when art gets hold of people’s years which are elapsing, when art is to express with perfect beauty a mother who has raised her daughter into an adult, isn’t that art has cancelled something non-essential — time? Perfect existence — only an

instant.” This is an instant into eternity. Owing to art and significance, an instant of time is better than infinitude.”

[Home]

Home is the harbor of which Yiren has been in search, and is also the place for the ship to arrive at and the reason why the ship leaves it. Because the home is broken, we have to wander from place to place; because we cannot find a new home, the ship is going to sink down. Home is the beginning and the ending of the long poem. Here it is not to find something to lean onto for a concrete life, but for a “category”, namely, for tribes and nationality. “May I ask where is my beautiful homeland / Where is my fertile land / With pangs and the broken dream of rare metals / Jumping over the head of the giant / Recalling the golden wheat ears at the end of the century”. This is the puzzlement and bitterness when wandering away from home. Then, where is the direction? Holderlin,

同类推荐
  • 啼笑皆非

    啼笑皆非

    本书书分四卷。卷一论“局势”。陈叙今日世界之危局,及第三次大战之伏机。卷二论“道术”,指出道术之沦丧,及以物质主义方术解决危机之错误。卷三论“征象”,批驳现行战后和平之各种论著,以见今日思想之症结。卷四论“治道”,由学术思想上分析近百年来文化之去向,及推陈人道扫地之史因,并由科学穷极思变之新倾向,透入一道曙光,排脱唯物机械论,重立自由意志论。以内容言之,卷一多谈亚洲复兴所引起之新局面。卷二多论种族偏见、欧化愚见、数学迷信、机械心理等小枝节。卷三多举今日西方讨论和平之方案。卷四专谈学术思想哲学基础问题。
  • 传声筒

    传声筒

    莫言、余华、王安忆、梁文道推崇备至的作家、华文文学奖得主西西的私人书单,万字长文逐句解读略萨,一本书读懂西方现代文学经典。本书是香港作家西西继《像我这样的一个读者》之后的又一本读书笔记,在形式和写作上依然延续了上一本的风格,重述了西西心目中最优秀的西方现代小说代表作,包括马尔克斯、略萨、米兰·昆德拉、伯尔等大师的经典作品,这是一本小说家的读书笔记,更是一位优秀的汉语写作者以个人风格改写西方文学的大胆尝试,读者既能读到西方内核的故事,又能体会到中文叙述之魅力。全书最后一卷,西西更是以万字长文逐句分析略萨经典小说《潘达雷昂上尉与劳军女郎》的第一章,让我们得以从小说家的视角阅读另一位小说家。
  • 徐志摩精选集

    徐志摩精选集

    《徐志摩精选集》收录了诗歌篇、散文篇近80余篇。徐志摩是一位传奇性的人物:想做诗便做一手好诗,并为新诗创立新格;想写散文便把散文写得淋漓尽致出类拨萃;想恋爱便爱得昏天黑地无所顾忌……这,便是此刻我们要面对的徐志摩。他的一生没有惊天动地的丰功伟业,那短暂得如同一缕飘向天空的轻烟的一生,甚至没来得及领略中年的成熟便消失了。但即便如此,他却被长久地谈论着而为人们所不忘!本书是他经典作品的精选集,是一本不可或缺的收藏本。
  • 与魔鬼博弈:留给未来的思考

    与魔鬼博弈:留给未来的思考

    这是一部令人震撼的呕心沥血之作。作者为了追寻几位反法西斯国际主义志士的感人事迹,苦苦追踪多年,多次自费赴欧洲采访。作者以来之不易的珍贵而翔实的独立采访素材,怀着敬畏之心情,向人们讲述一个个旷世罕见的故事,深层开掘,探求其人性的优劣善恶,昭告人们在二战期间,几位国际主义志士怀着超出国家与民族的博大胸怀,以燃烧自己来点燃正义,不顾生命危险拯救了众多生命。这里有弥漫的战火硝烟,有凄婉动人的爱情故事,有勇敢者的正义呐喊。
  • 大桥

    大桥

    港珠澳大桥被誉为新世界七大奇迹之一,它的建设创下了多项世界之最,“非常了不起,体现了一个国家逢山开路、遇水架桥的奋斗精神,体现了我国综合国力、自主创新能力,体现了勇创世界一流的民族志气”。 这条腾飞在伶仃洋上的钢铁巨龙,一桥连三地,让天堑变通途,是中华民族在“一国两制”下实现的一个伟大胜利。本书以非虚构写作手法和现场采写的第一手资料,带您走进港珠澳大桥以及创建它的中国工程师和工人们,为您揭秘这座“海上长城”的核心控制性工程岛隧工程——地标性建筑东、西人工岛和世界上最长的海底沉管感道是如何建成的。
热门推荐
  • 曾文正公嘉言钞

    曾文正公嘉言钞

    曾国藩作为“立德立功立言三不朽,为师为将为相一完人”,自近代以来,就是中国青年争相学习的楷模。梁启超先生一生对曾文正公推崇备至,对其遗著更是“一日三复”,故从曾氏文集中摘录出此《曾文正公嘉言钞》, 以飨国人。本书为文白对照,对疑难的地方多加以注释,翻译精准简洁,将曾文正公的思想与心迹都明白地体现出来,使人以之为师为范,提升自己
  • 太上灵宝净明中黄八柱经

    太上灵宝净明中黄八柱经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 说走就走

    说走就走

    赵燕青心烦意乱。办公室的事,家里的事,似乎没有一件顺心。也许是到了更年期吧,她想。再过3个月,她就满50了。50岁是个让人害怕的年纪,是一道坎。这边,是鲜活;那边,是衰老。照镜子的时候,不由自主就注意脸上又多了几道皱纹,就担心手背上现出老年斑。赵燕青很想豁达一点,把人生看淡一点,怎奈她不是那样的人。她胆小怕事,一贯患得患失,从未真正轻松过,无论是工作,还是家庭生活,总担心自己做得不够好,被别人笑话。屈成强说她幼稚,即使50岁了,思想仍然不成熟,连时常担心的事,甚至做的梦都停留在30岁前的阶段。
  • 上门女婿

    上门女婿

    韩东本身是一个“被”退伍的军人。回到都市后,被迫成为了夏家的上门女婿……
  • 扬州小孟

    扬州小孟

    不一样的孟小花,不一样的刀歌,不一样的武林
  • 宦官毒妻有喜了

    宦官毒妻有喜了

    重生归来,这一世为了报仇,她选择嫁给了太监总管。*****人说糟糠之妻不下堂,可又有多少男人能够在有了权势和金钱后仍然守住与他风雨与共的枕边人?唐肆肆在宸王最落魄、最无助时嫁与他为妃,却在他登基为帝后,成了弃棋。大雨磅礴之日,她的儿子命丧毒手,而那个男人却搂着毒害了她儿子的女人。她想要除掉那个害了她孩子的女人,却被那个男人挑掉脚筋,挖掉眼睛,烈火焚身。重生归来,这一世为了报仇,她选择嫁给了那有绝美之姿又权倾天下的太监总管为妻。夫妻两狼狈为奸,杀渣男,斗庶姐,让皇位易主,让百官战栗,成了恶贯满盈的“夫妻”。半年后,皇城里有传言,那恶贯满盈作恶多端的九千岁家的毒妻竟然有孕了!一时间孩子的父亲是谁众所纷纭,有人猜是儒雅温润的太子殿下,有人猜是清冷如冰山的三皇子,有人猜是睿智多谋的五皇子的……而孩子的真正父亲此时正媚眼如丝,风情万种的牵着自己的妻子。
  • 三水小牍

    三水小牍

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 蜀汉刘禅传

    蜀汉刘禅传

    一觉醒来发现自己变身刘禅,身处乱军之中,四周围全是喊杀之声,正在害怕的时候突然一个声音自耳边响起:“少主放心,只要我赵云活着一定带你杀出长坂坡去!”刘禅:………好吧,这是一个天才少年的故事,这是一个热血激情的年代。且看重生刘禅如何发展蜀汉,带领一帮蜀二代一统天下。《三国之小军师》即将完本,喜欢的人可以去看看。
  • 七曜轮回英雄谈

    七曜轮回英雄谈

    时间慢慢行进,但恶魔不会等你。重现人间的黑潮已经席卷大陆,七位性格迥异的英雄背负各自的梦想与命运,与世间的一切恶意为战。死亡只是节点,结束才是刚刚开始,多周目的群像剧就此在您面前娓娓道来。请注意:非爽文,通篇含有极大量的毒点与虐点,请慎重地往下看。书友群:801083870,欢迎入群讨论。
  • 重生暖婚:全能娇妻宠如命

    重生暖婚:全能娇妻宠如命

    【坑勿入】他,高门权贵,疏离淡漠,腹黑薄情,却宠妻如命。“都说新晋影后是个神经病,不近男色,我偏不信!”她,暗夜女王,至尊千金,性子乖张,人美心狠。“我若喜欢一个人,得不到,我便毁了他!”*初见,她利用他。“没想到近距离的傅影帝,更加美的勾人魂摄人魄,啧啧,看看这双风流眼,要了多少小姑娘的命。”后来,她悔的肠子都青了。*重生前,她意外惨死。重生后,她只想肆意的活着,并护所有至亲周全。从此,她是学校女学霸,商界女精英,娱乐圈影后,异能界女王……*在颁奖晚会上。主持人提问影帝影后,“在《浮生微暖》戏里,你们是人人艳羡的恩爱夫妻,那么在戏外,你们是否会假戏真做呢?”某男宠溺的看了眼身边的女人,薄唇轻启,“我们一起虐过渣,一起数过星,一起喝过酒,一起杀过敌,一起旅过游,一起演过戏,你觉得呢?”*后来的后来……天堂地狱,她在哪儿,他便在哪儿!