登陆注册
10783300000006

第6章

I WOUND UP AT THE CINEMA 21, an art house theater in northwest Portland. I liked to go to that neighborhood because it was what Mom called "in transition." Meaning Heidi's Olde Worlde Pastries had vacated the chalet-type building, and a General Gao's Szechuan Garden had moved in. There were ancient apartment buildings with rats in the dumbwaiters next door to brightly lit Austrian bakeries.

The Cinema 21 might have been due for an overhaul, but so far no one had tried. And honestly? I liked it the way it was. Reliable. Same neon starburst marquee, same bottomless popcorn for seventy-five cents a bag.

That night they were showing Merry Christmas, Mr. Lawrence. It was supposed to be a good flick but I hadn't seen it yet, because it was a Bowie movie.

I was sick of Bowie by then. He was on every poster in every girl's locker, an impossible standard to live up to. But there was something comforting about him too. He changed everything about himself, his hair and makeup and name and even his voice, but he kept something in each. Self-assurance. Calm.

Even in the movie, when Bowie is supposed to be a suicidally brave POW in a World War II prison camp-with bad hair (shyeah, right)-and he's locked in a cage, muttering the words "I wish I could sing," because his character supposedly can't, there's this larger-than-life presence. He would never hit his sister. He would never cheat on his girlfriend…Well, yeah, he might, but at least he'd do it with style.

Dad used to hate Bowie. We watched him on TV once when I was little, and Bowie was in his Aladdin Sane phase then, with spiky red hair and a spandex jumpsuit. I don't remember what he sang. Some song about space. Or was it loneliness? The way he sang, it was the same thing.

Dad pulled on his beer that looked like golden water and said, "Do me a favor and change it to the Blazers game, will ya, son? I can't stand watching that faggot."

Since I was just a kid, I didn't know what "faggot" meant, other than not Dad. Which seemed like a good thing.

Even now, when I was eighteen, not Dad was something I had to work hard at every day. When my hair started coming in thick and dark like his, I dyed it green. When people started bugging me, I went to the mosh pit to thrash it out before I thrashed them.

Today was my first big fail.

I had hit someone I loved. She was bossy and ambitionless, but I still loved her.

For two hours during the movie, I thought it might be possible that I could still be a hero, like Bowie's character. But then the closing credits rolled, and ended, and a different kind of picture looped in my mind-one of me pushing my sister, over and over again.

Why did she have to keep picking at me? Do this, nimrod. Do that, nimrod. Sometimes I hated her.

But I never hit her.

What was Cilla doing now? Blabbing to Mom? Blabbing to any Denny's trucker about how I was turning out just like Dad? The instant she did, the half of the state that hadn't already written me off would write me off. I would go from being an asshole to being "just like my father."

That was something I wanted to avoid at all costs.

Outside the theater, a light rain had started to fall, making my mohawk flop over. Green dye trickled down my forehead and into my eyes, making everything look like an alien landscape from some cheesy sci-fimovie. I was walking past the narrow employees' parking lot behind the theater. I remember thinking, I wish I could get out of my skin for more than two hours, when I first felt the chill.

It wasn't a regular cold chill, or even a flu chill. It was worse than that. I'd felt it once before, when I'd been so terrified it felt like my blood had frozen.

There was a scuttling noise, then a high-pitched squeak, like a dozen rats on the move.

Noah.

Someone was calling me, and it didn't sound like Ziggy.

I stopped and looked. There was a line of beat-up cars, Pintos and Pacers, and behind that was a dumpster overflowing with stale popcorn and Red Vines and Junior Mints.

I couldn't see beyond the dumpster. It was too dark. But-and this was the weird thing-the darkness had an edge. There was normal stuff in front of it, cars and garbage cans, then just nothing. Whatever was calling me was inside that dark fog bank.

Noah, it said again.

I sniffed the air. Hops. It smelled really strongly of cooking hops.

Slowly, the dark cloud rolled closer. Whatever it touched looked as though it disappeared, as if the cloud swallowed it whole.

Clouds didn't freak me out. We had clouds that belched rain, hail, pollution, radioactive isotopes (Trojan Nuclear Plant)-even volcanic ash (Mount St. Helens).

But there was something different about this one-and it wasn't just the smell. First, there was the frost, which seemed to inject itself right into my heart and spread through my veins. If I wasn't still breathing, I would've thought I'd been turned to ice. But breathe I did, and dark green clouds came out of my nose like frozen bile.

This cloud was poison. And it was sucking me in.

Noah!

The voice was more urgent now.

Let me whisper in your ear. Let me tell you what I've already done and what I'm about to do to everyone you love.

The cloud came closer with a skittering noise, advancing, retreating, changing shape, as though something inside it-several things-were fighting to get out.

Help us, Noah!

Girls' faces, half formed, came to the front.

And then that whispering, disembodied voice again: Shall I tell you about them? How they died alone and afraid? Their terror fed me. It made me strong.

Slowly, I started to back away. I was getting sick, that was it. I hadn't been sleeping enough. No wonder I was imagining things.

Watch, Noah. Witness.

Then came the one I'd been fearing. The girl from the poster without a name or a reward or Last Seen Wearing. I knew what she was going to say.

Please!

Oh god. I wasn't sick. I wasn't sleep-deprived. That thing-that toxic darkness-had consumed the Disappearing Girls.

I should've run. But I couldn't move. I could only stand and watch what I half knew was coming next.

When Please Girl's face disappeared, another didn't appear right away. The inky darkness started to twirl, then locked itself into dreads. Another face flashed across the front of the cloud, screwed up in agony. I heard the scream from my head clear down to my toes.

That thing had Evan.

I didn't even think. I charged forward. "Hey!" I said. "Let him go!"

I hadn't gone two steps before-bam!-I tripped on a speed bump and went down hard, banging my forehead on asphalt.

Red blood and green dye dripped into my eyes like an insane Christmas garland. I needed to see what was going on, but my head was so heavy it was like an anchor.

I had to get to my feet and charge that cloud. I had to save my friend.

Help me, Noah!

And then, from somewhere above me, came a light. It was golden and warm. "Sing, lad!" it commanded.

Not golden light, I realized. Yellow. Egg-yolk yellow.

"Huh?"

"Sing! Sing now!" And that was when I realized my pounding head had a backbeat. Without looking up, I opened my mouth and sang about fear, and failure, and all the things I'd been worrying about for most of my life. If I had to give the song a title, I would've called it "You Don't Got Brain One."

I was too confused even to stand up, but all the ways I'd failed people? That I remembered.

I sensed the thing stopping. I closed my mouth and wiped the red rain from my eyes. I managed to get to my knees and look up. I hoped I wasn't too late.

The dark cloud had retreated. It hovered behind the dumpster, waiting for something-I didn't know what.

It wasn't calling to me anymore, wasn't screaming, and there were no faces inside. But it was still dangerous. And it still had Evan.

Ziggy gripped me by the forearm and helped me to my feet. "You okay, lad?"

I charged forward. "That thing has my friend!"

He locked my arm with his tiger grip. I couldn't shake him off. "It's not that simple. You can't take it on directly or it'll swallow you too."

"I can't just leave him there!"

"Easy, old boy. The Marr hasn't swallowed him completely. Not yet. He's safe in bed. If you called him at home right now, you'd get him. He'd wonder why you woke him up."

"I don't understand. I just saw his face!"

"The Marr can work slowly, son. It can take its victims a piece at a time."

I put my hands on my knees and sucked air. "So he's fine?"

Ziggy didn't say anything. He wouldn't meet my eyes.

Even though I was so freaked out I was sweating poison, I started to take in more details of the monster cloud.

Clack! I thought I saw a claw reaching out, testing.

"How do we get rid of it?"

He shook his head. "You mean completely? Don't be stupid." He pronounced it shtyou-pid. "You can never get rid of the Marr. It's a part of life."

I sniffed the air. The hops smell intensified. Slowly, that thing, that Marr, began to creep forward again.

"All the same, best not to stick around," Ziggy said, and pulled me by the elbow down the street. "Come on, son. Time to regroup and form a battle plan."

"Sure. Just a sec." I turned around and flipped that thing off.

Yeah. I know. Real mature, not to mention dangerous.

But damn did it feel good.

同类推荐
  • Talent Magnet

    Talent Magnet

    What Does Top Talent Really Want?More than vision, strategy, creativity, marketing, finance, or even technology, it is ultimately people that determine organizational success. That's why virtually every organization wants more top talent. But do you know what they're looking for?
  • Hunger and Thirst

    Hunger and Thirst

    Hunger and Thirst is Richard Matheson's first and until now previously unpublished novel, written fifty-plus years ago when Matheson was only twenty-three-years old. Matheson's agent told him it was unpublishable due to its length and so to that end, Matheson put the manuscript in a drawer and left for California where his writing career changed dramatically. The action in Hunger and Thirst centers around Erick, who lies paralyzed on his bed after being shot during a botched bank robbery. As he lies there, Erick contemplates the mess that his life has become and holds out hope to be saved.
  • The Sexual Outlaw

    The Sexual Outlaw

    In this angry, eloquent outcry against the oppression of homosexuals, the author of the classic City of Night gives "an explosive non-fiction account, with commentaries, of three days and nights in the sexual underground" of Los Angeles in the 1970s--the "battlefield" of the sexual outlaw. Using the language and techniqus of the film, Rechy deftly intercuts the despairing, joyful, and defiant confessions of a male hustler with the "chorus" of his own subversive reflections on sexual identity and sexual politics, and with stark documentary reports our society directs against homosexuals--"the only minority against whose existence there are laws."
  • The Subterraneans

    The Subterraneans

    Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac's early classics, On The Road. Centering around the tempestuous breakup of Leo Percepied and Mardou Foxtwo denizens of the 1950s San Francisco undergroundThe Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America's field of vision.
  • Dr. Critchlore's School for Minions (#1)

    Dr. Critchlore's School for Minions (#1)

    Welcome to Dr. Critchlore's School for Minions, the premier trainer of minions for Evil Overlords everywhere. No student is prouder to be at Dr. Critchlore's than Runt Higgins, a twelve-year-old werewolf. (At least he thinks he's twelve. He was abandoned at the school as a baby, so he can't say for sure.) Runt loves everything about Dr. Critchlore's. He loves his classes—such as History of Henchmen and Introduction to Explosives. He loves his friends—such as Darthin the gargoyle and Syke the tree nymph. And he loves his foster family, who took him in when his wolf pack couldn't. But not everyone loves Dr. Critchlore's as much as Runt. After a series of disasters, each worse than the next, it's clear that someone is trying to shut the school down. It's up to Runt, who knows the place better than anybody, to figure out who's behind the attacks … and to save his home, and Dr. Critchlore himself, from total destruction.
热门推荐
  • 千秋长歌

    千秋长歌

    一个长达四百年的王朝,终于迎来了自己的末日。短短几年之间,群雄并起,沧海横流。有一个人,北逐胡虏,封狼居胥。有一个人,侧帽风流,名动一时。有一个人,雄踞东方,天下为棋。还有一个人,他把持朝政,独揽大权;他屠杀宗室,逆我者亡;但他却又勤政爱民,礼贤下士;他用兵如神,驰骋沙场。世家大族、天下诸侯视他如虎狼;黎民百姓、寒门士子拥他为传奇。这是属于英雄的时代,一个精彩纷呈的时代。这个时代不属于任何一段历史,但你却可以在这里,看到每一段历史的影子。千秋家国梦,始终男儿魂。
  • 归零的智慧:禅的激情与顿悟

    归零的智慧:禅的激情与顿悟

    归零,是真正的大智慧。归零,不仅是一种境界,还是一种方法,一种修证行愿的方法,一种获得智慧的方法。归零可以达道,达道以后还须归零。归零才可以心处常态、心处自在,这时才是我们的身体能量转变为大脑能量的时候,这时才是具足智慧能量的时刻。归零应该成为人生的一种常态。隻有保持归零的人,保持平常心的人,才能处变不惊,宠辱不惊,才能保持清醒的头脑去发现、去创新,才能保持一颗天真浪漫的心态去享受人生的分分秒秒。
  • 陪伴孩子成长的爱国故事

    陪伴孩子成长的爱国故事

    《陪伴孩子成长的爱国故事(注音版)》主要内容简介:“红枪白马”女英雄赵一曼、抗日名将张自忠、抗日小英雄王二小、八女投江、爱国志士闻一多、“烈火金刚”邱少云、黄继光惊天一跃堵枪眼、“中国航天之父”钱学森等。
  • 总裁,不可以

    总裁,不可以

    温知晚是个落魄的千金,却阴错阳差的傍上了自己的准姐夫.婚后,她的生活可谓是美滋滋。总裁办公室里,特助颤颤巍巍的说道:“江总,夫人说看上了一辆限量版的跑车。”“买。”“夫人还说……这辆跑车是送给祁先生的生日礼物。”特助话落,江堇遇的脸都黑了。江堇遇恶狠狠的瞪着她说道:“晚晚,你好大的胆子,刷我的卡去外面包小白脸。”温知晚一脸无辜的说道:“这不是礼尚往来吗?上次我生日,他也送了我一份大礼。”“行啊,要不要我把你也打包成礼物?”某男危险地眯起了眸子。
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 女大男小

    女大男小

    她找男人像是找一棵可以挡雨乘凉的大树,找来找去吊在了一棵歪脖子树上。有人说:“中国人的婚姻大部分是凑合。”她觉得也是。
  • 风起修神录

    风起修神录

    起源大陆,万千宇宙之中心!起源十宗,传承万载而不灭!然而,十万年前的一场大战,却记载着一个新的纪元——十宗之一天弘宗因一只七彩戒指,决然放弃一切而踏上了一条未知路!银河宇宙,科技文明之巅峰!天水星系,成就无敌之起点!十万载过去了,且看主角这个天弘宗后代如何只手破天,击碎神壁!成就真神!由此展开了一场波澜壮阔的末世狂想曲!
  • 士女成凰

    士女成凰

    前世为保家族,改国运,她一步步走进朝堂,成为朝中炙手可热的弄臣,国灭之后,受人唾骂,身死魂灭,她无怨无悔。再来一世,是继续东山再起,卷土重来呢?还是换一个活法。谢陵掐指一算,默默表示:既然天命不可违,那还是将前世的道路进行到底吧!若无法改变国朝之命运,那便做那改变天下之命运的人上之人。山水清音,天下为棋孤胆丹心,我自成凰。(简而言之,这是一个南北朝时期,名门士族贵女为改变命运而逐步走向士官之路的故事)PS:已有完本小说《名士为凰》,《卿骄》皆属魏晋历史言情系列
  • 如梦仙途

    如梦仙途

    黑暗光明两位大神密谋控制人间势力而开发一款游戏《神战》,主角因缘得到东方五行修仙者真传,拜师学艺!游戏中穿越到异界再次王者归来,游戏中叱咤风云,大战黑暗光明神!却不料背后还有更大的主,只有想不到!
  • 正变·通变·新变

    正变·通变·新变

    《正变·通变·新变》是《中国美学范畴丛书》中的一种。该书详细论述了“正变”、“通变”、“新变”这三个范畴产生的历史文化背景,以及它们的发展演变情况。在考辨源流,评说得失中,颇多创获。该书理论水平较高,学术价值突出。