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Struts & Frets
Music is in Sammy's blood. His grandfather was a jazz musician, and Sammy's indie rock band could be huge one day—if they don't self-destruct first. Winning the upcoming Battle of the Bands would justify all their compromises and reassure Sammy that his life's dream could become a reality. But practices are hard to schedule when Sammy's grandfather is sick and getting worse, his mother is too busy to help either of them, and his best friend may want to be his girlfriend. Told in a voice that's honest and wry, Struts & Frets will resonate not only with teenage musicians but also with anyone who ever sat up all night listening to a favorite album, wondering if they'd ever find their place in the world.The Cry of the Owl
In a small Pennsylvania town, Robert Forrester is recuperating from a nasty divorce and a bout of psychological trouble. One evening, while driving home, he sees a pretty young woman framed by her bright kitchen window. Soon, he can't keep himself away. But when Robert is inevitably discovered, obsession is turned on its head, and he finds himself unable to shake the young woman, nor entirely sure whether he should. From Patricia Highsmith, once called "the balladeer of stalking" by The New Yorker, The Cry of the Owl is a modern classic ready to be reborn.Lyrics
Few of Richard Matheson's readers know that he had hopes for writing popular music. At a very early age, Matheson taught himself how to write sheet music, but his family could not afford art supplies and so he had to give up composition. But music never left his mind and when Matheson found a creative new outlet through his writing (cheaper than music, requiring only a pencil and paper), he quickly began composing both prose stories as well as poetry. He picked up music composition again at the age of seventeen, adding music to his poems. Here in Lyrics are the compositions that Matheson created, in publication for the very first time.莫泊桑短篇小说集(英文版)
居伊·德·莫泊桑,19世纪后半期法国杰出批判现实主义作家,短暂的一生中创作六部长篇小说、一部诗集、三部游记和三百多篇中短篇小说,是位不折不扣的高产作家,被誉为“短篇小说之王”。莫泊桑与契诃夫和欧·亨利齐名,被公认为世界三大短篇小说巨匠,对后世影响深远。其导师,《包法利夫人》的作者福楼拜,曾这样指导莫泊桑进行“速写”训练:“当你走过一个坐在自家店门前的杂货商,走过一个吸烟斗的守门人跟前,你给我描绘一下这两个人的神情姿态,身体的外貌特征。不但要用画家的白描手法,还要描述他他们全部的精神本性,这样,就使人不至于把他们和别的杂货商和守门人混同起来。”莫泊桑掌握了这一要领。而这就是他的作品成功原因所在。
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