The two young men exchanged a smile.Mme.de Maufrigneuse saw the smile and guessed at their conversation, and gave the pair a broadside of her eyes, an art acquired by Frenchwomen since the Peace, when Englishwomen imported it into this country, together with the shape of their silver plate, their horses and harness, and the piles of insular ice which impart a refreshing coolness to the atmosphere of any room in which a certain number of British females are gathered together.
The young men grew serious as a couple of clerks at the end of a homily from headquarters before the receipt of an expected bonus.
The Duchess when she lost her heart to Victurnien had made up her mind to play the part of romantic Innocence, a role much understudied subsequently by other women, for the misfortune of modern youth.Her Grace of Maufrigneuse had just come out as an angel at a moment's notice, precisely as she meant to turn to literature and science somewhere about her fortieth year instead of taking to devotion.She made a point of being like nobody else.Her parts, her dresses, her caps, opinions, toilettes, and manner of acting were all entirely new and original.Soon after her marriage, when she was scarcely more than a girl, she had played the part of a knowing and almost depraved woman; she ventured on risky repartees with shallow people, and betrayed her ignorance to those who knew better.As the date of that marriage made it impossible to abstract one little year from her age without the knowledge of Time, she had taken it into her head to be immaculate.She scarcely seemed to belong to earth; she shook out her wide sleeves as if they had been wings.Her eyes fled to heaven at too warm a glance, or word, or thought.
There is a madonna painted by Piola, the great Genoese painter, who bade fair to bring out a second edition of Raphael till his career was cut short by jealousy and murder; his madonna, however, you may dimly discern through a pane of glass in a little street in Genoa.
A more chaste-eyed madonna than Piola's does not exist but compared with Mme.de Maufrigneuse, that heavenly creature was a Messalina.
Women wondered among themselves how such a giddy young thing had been transformed by a change of dress into the fair veiled seraph who seemed (to use an expression now in vogue) to have a soul as white as new fallen snow on the highest Alpine crests.How had she solved in such short space the Jesuitical problem how to display a bosom whiter than her soul by hiding it in gauze? How could she look so ethereal while her eyes drooped so murderously? Those almost wanton glances seemed to give promise of untold languorous delight, while by an ascetic's sigh of aspiration after a better life the mouth appeared to add that none of those promises would be fulfilled.Ingenuous youths (for there were a few to be found in the Guards of that day) privately wondered whether, in the most intimate moments, it were possible to speak familiarly to this White Lady, this starry vapor slidden down from the Milky Way.This system, which answered completely for some years at a stretch, was turned to good account by women of fashion, whose breasts were lined with a stout philosophy, for they could cloak no inconsiderable exactions with these little airs from the sacristy.
Not one of the celestial creatures but was quite well aware of the possibilities of less ethereal love which lay in the longing of every well-conditioned male to recall such beings to earth.It was a fashion which permitted them to abide in a semi-religious, semi-Ossianic empyrean; they could, and did, ignore all the practical details of daily life, a short and easy method of disposing of many questions.De Marsay, foreseeing the future developments of the system, added a last word, for he saw that Rastignac was jealous of Victurnien.
"My boy," said he, "stay as you are.Our Nucingen will make your fortune, whereas the Duchess would ruin you.She is too expensive."Rastignac allowed de Marsay to go without asking further questions.He knew Paris.He knew that the most refined and noble and disinterested of women--a woman who cannot be induced to accept anything but a bouquet--can be as dangerous an acquaintance for a young man as any opera girl of former days.As a matter of fact, the opera girl is an almost mythical being.As things are now at the theatres, dancers and actresses are about as amusing as a declaration of the rights of woman, they are puppets that go abroad in the morning in the character of respected and respectable mothers of families, and act men's parts in tight-fitting garments at night.
Worthy M.Chesnel, in his country notary's office, was right; he had foreseen one of the reefs on which the Count might shipwreck.
Victurnien was dazzled by the poetic aureole which Mme.de Maufrigneuse chose to assume; he was chained and padlocked from the first hour in her company, bound captive by that girlish sash, and caught by the curls twined round fairy fingers.Far corrupted the boy was already, but he really believed in that farrago of maidenliness and muslin, in sweet looks as much studied as an Act of Parliament.
And if the one man, who is in duty bound to believe in feminine fibs, is deceived by them, is not that enough?
For a pair of lovers, the rest of their species are about as much alive as figures on the tapestry.The Duchess, flattery apart, was avowedly and admittedly one of the ten handsomest women in society.
"The loveliest woman in Paris" is, as you know, as often met with in the world of love-making as "the finest book that has appeared in this generation," in the world of letters.
