The modifications that have been made in her administrative organisation have not affected her inner nature. In spirit and character she is now what she was under the Patriarchs in the time of the Muscovite Tsars, holding fast to the promise that no jot or tittle shall pass from the law till all be fulfilled. To those who talk about the requirements of modern life and modern science she turns a deaf ear. Partly from the predominance which she gives to the ceremonial element, partly from the fact that her chief aim is to preserve unmodified the doctrine and ceremonial as determined by the early Ecumenical Councils, and partly from the low state of general culture among the clergy, she has ever remained outside of the intellectual movements. The attempts of the Roman Catholic Church to develop the traditional dogmas by definition and deduction, and the efforts of Protestants to reconcile their creeds with progressive science and the ever-varying intellectual currents of the time, are alike foreign to her nature. Hence she has produced no profound theological treatises conceived in a philosophical spirit, and has made no attempt to combat the spirit of infidelity in its modern forms. Profoundly convinced that her position is impregnable, she has "let the nations rave," and scarcely deigned to cast a glance at their intellectual and religious struggles. In a word, she is "in the world, but not of it."
If we wish to see represented in a visible form the peculiar characteristics of the Russian Church, we have only to glance at Russian religious art, and compare it with that of Western Europe.
In the West, from the time of the Renaissance downwards, religious art has kept pace with artistic progress. Gradually it emancipated itself from archaic forms and childish symbolism, converted the lifeless typical figures into living individuals, lit up their dull eyes and expressionless faces with human intelligence and human feeling, and finally aimed at archaeological accuracy in costume and other details. Thus in the West the Icon grew slowly into the naturalistic portrait, and the rude symbolical groups developed gradually into highly-finished historical pictures. In Russia the history of religious art has been entirely different. Instead of distinctive schools of painting and great religious artists, there has been merely an anonymous traditional craft, destitute of any artistic individuality. In all the productions of this craft the old Byzantine forms have been faithfully and rigorously preserved, and we can see reflected in the modern Icons--stiff, archaic, expressionless--the immobility of the Eastern Church in general, and of the Russian Church in particular.
To the Roman Catholic, who struggles against science as soon as it contradicts traditional conceptions, and to the Protestant, who strives to bring his religious beliefs into accordance with his scientific knowledge, the Russian Church may seem to resemble an antediluvian petrifaction, or a cumbrous line-of-battle ship that has been long stranded. It must be confessed, however, that the serene inactivity for which she is distinguished has had very valuable practical consequences. The Russian clergy have neither that haughty, aggressive intolerance which characterises their Roman Catholic brethren, nor that bitter, uncharitable, sectarian spirit which is too often to be found among Protestants. They allow not only to heretics, but also to members of their own communion, the most complete intellectual freedom, and never think of anathematising any one for his scientific or unscientific opinions. All that they demand is that those who have been born within the pale of Orthodoxy should show the Church a certain nominal allegiance; and in this matter of allegiance they are by no mean very exacting. So long as a member refrains from openly attacking the Church and from going over to another confession, he may entirely neglect all religious ordinances and publicly profess scientific theories logically inconsistent with any kind of dogmatic religious belief without the slightest danger of incurring ecclesiastical censure.
This apathetic tolerance may be partly explained by the national character, but it is also to some extent due to the peculiar relations between Church and State. The government vigilantly protects the Church from attack, and at the same time prevents her from attacking her enemies. Hence religious questions are never discussed in the Press, and the ecclesiastical literature is all historical, homiletic, or devotional. The authorities allow public oral discussions to be held during Lent in the Kremlin of Moscow between members of the State Church and Old Ritualists; but these debates are not theological in our sense of the term. They turn exclusively on details of Church history, and on the minutiae of ceremonial observance.
A few years ago there was a good deal of vague talk about a possible union of the Russian and Anglican Churches. If by "union"
is meant simply union in the bonds of brotherly love, there can be, of course, no objection to any amount of such pia desideria; but if anything more real and practical is intended, the project is an absurdity. A real union of the Russian and Anglican Churches would be as difficult of realisation, and is as undesirable, as a union of the Russian Council of State and the British House of Commons.*
I suppose that the more serious partisans of the union scheme mean union with the Eastern Orthodox, and not with the Russian, Church. To them the above remarks are not addressed. Their scheme is, in my opinion, unrealisable and undesirable, but it contains nothing absurd.
