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第84章 XXXIX(1)

Westover understood from Whitwell's afterthought that it was Cynthia he was anxious to keep ignorant of his misgivings, if they were so much as misgivings. But the importance of this fact could not stay him against the tide of sleep which was bearing him down. When his head touched the pillow it swept over him, and he rose from it in the morning with a gayety of heart which he knew to be returning health. He jumped out of bed, and stuffed some shavings into his stove from the wood-box beside it, and laid some logs on them; he slid the damper open, and then lay down again, listening to the fire that showed its red teeth through the slats and roared and laughed to the day which sparkled on the white world without. When he got out of bed a second time, he found the room so hot that he had to pull down his window-sash, and he dressed in a temperature of twenty degrees below zero without knowing that the dry air was more than fresh. Mrs. Durgin called to him through the open door of her parlor, as he entered the dining-room: " Cynthy will give you your breakfast, Mr. Westover. We're all done long ago, and I'm busy in here,"and the girl appeared with the coffee-pot and the dishes she had been keeping hot for him at the kitchen stove. She seemed to be going to leave him when she had put them down before him, but she faltered, and then she asked: "Do you want I should pour your coffee for you?""Oh yes! Do!" he begged, and she sat down across the table from him.

"I'm ashamed to make this trouble for you," he added. "I didn't know it was so late.""Oh, we have the whole day for our work," she answered, tolerantly.

He laughed, and said: "How strange that seems! I suppose I shall get used to it. But in town we seem never to have a whole day for a day's work; we always have to do part of it at night, or the next morning. Do you ever have a day here that's too large a size for its work?""You can nearly always find something to do about a house," she returned, evasively. "But the time doesn't go the way it does in the summer.""Oh, I know how the country is in the winter," he said. "I was brought up in the country.""I didn't know that," she said, and she gave him a stare of surprise before her eyes fell.

"Yes. Out in Wisconsin. My people were emigrants, and I lived in the woods, there, till I began to paint my way out. I began pretty early, but I was in the woods till I was sixteen.""I didn't know that," she repeated. "I always thought that you were--""Summer folks, like the rest? No, I'm all-the-year-round folks originally. But I haven't been in the country in the winter since I was a boy; and it's all been coming back to me, here, like some one else's experience."She did not say anything, but the interest in her eyes, which she could not keep from his face now, prompted him to go on.

"You can make a beginning in the West easier than you can in the East, and some people who came to our lumber camp discovered me, and gave me a chance to begin. I went to Milwaukee first, and they made me think I was somebody. Then I came on to New York, and they made me think I was nobody. I had to go to Europe to find out which I was; but after I had been there long enough I didn't care to know. What I was trying to do was the important thing to me; not the fellow who was trying to do it.""Yes," she said, with intelligence.

"I met some Boston people in Italy, and I thought I should like to live where that kind of people lived. That's the way I came to be in Boston.

It all seems very simple now, but I used to think it might look romantic from the outside. I've had a happy life; and I'm glad it began in the country. I shouldn't care if it ended there. I don't know why I've bothered you with my autobiography, though. Perhaps because I thought you knew it already."She looked as if she would have said something fitting if she could have ruled herself to it; but she said nothing at all. Her failure seemed to abash her, and she could only ask him if he would not have some more coffee, and then excuse herself, and leave him to finish his breakfast alone.

That day he tried for his picture from several points out-of-doors before he found that his own window gave him the best. With the window open, and the stove warm at his back, he worked there in great comfort nearly every afternoon. The snows kept off, and the clear sunsets burned behind the summit day after day. He painted frankly and faithfully, and made a picture which, he said to himself, no one would believe in, with that warm color tender upon the frozen hills. The soft suffusion of the winter scene was improbable to him when he had it in, nature before his eyes; when he looked at it as he got it on his canvas it was simply impossible.

In the forenoons he had nothing to do, for he worked at his picture only when the conditions renewed themselves with the sinking sun. He tried to be in the open air, and get the good of it; but his strength for walking had failed him, and he kept mostly to the paths broken around the house.

He went a good deal to the barn with Whitwell and Jombateeste to look after the cattle and the horses, whose subdued stamping and champing gave him a sort of animal pleasure. The blended odors of the hay-mows and of the creatures' breaths came to him with the faint warmth which their bodies diffused through the cold obscurity.

When the wide doors were rolled back, and the full day was let in, he liked the appeal of their startled eyes, and the calls they made to one another from their stalls, while the men spoke back to them in terms which they seemed to have in common with them, and with the poultry that flew down from the barn lofts to the barn floor and out into the brilliant day, with loud clamor and affected alarm.

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