登陆注册
5453900000114

第114章 CHAPTER XXXVIII(1)

`IT all begins, as I've told you, with the man called Brown,' ran the opening sentence of Marlow's narrative. `You who have knocked about the Western Pacific must have heard of him. He was the show ruffian on the Australian coast--not that he was often to be seen there, but because he was always trotted out in the stories of lawless life a visitor from home is treated to; and the mildest of these stories which were told about him from Cape York to Eden Bay was more than enough to hang a man if told in the right place. They never failed to let you know, too, that he was supposed to be the son of a baronet. Be it as it may, it is certain he had deserted from a home ship in the early gold-digging days, and in a few years became talked about as the terror of this or that group of islands in Polynesia. He would kidnap natives, he would strip some lonely white trader to the very pyjamas he stood in, and after he had robbed the poor devil, he would as likely as not invite him to fight a duel with shot-guns on the beach--which would have been fair enough as these things go, if the other man hadn't been by that time already half-dead with fright. Brown was a latter-day buccaneer, sorry enough, like his more celebrated prototypes, but what distinguished him from his contemporary brother ruffians, like Bully Hayes or the mellifluous Pease, or that perfumed, Dundreary-whiskered, dandified scoundrel known as Dirty Dick, was the arrogant temper of his misdeeds and a vehement scorn for mankind at large and for his victims in particular. The others were merely vulgar and greedy brutes, but he seemed moved by some complex intention. He would rob a man as if only to demonstrate his poor opinion of the creature, and he would bring to the shooting or maiming of some quiet, unoffending stranger a savage and vengeful earnestness fit to terrify the most reckless of desperadoes. In the days of his greatest glory he owned an armed barque, manned by a mixed crew of Kanakas and runaway whalers, and boasted, I don't know with what truth, of being financed on the quiet by a most respectable firm of copra merchants.

Later on he ran off--it was reported--with the wife of a missionary, a very young girl from Clapham way, who had married the mild, flat-footed fellow in a moment of enthusiasm, and, suddenly transplanted to Melanesia, lost her bearings somehow. It was a dark story. She was ill at the time he carried her off, and died on board his ship. It is said--as the most wonderful part of the tale--that over her body he gave way to an outburst of sombre and violent grief. His luck left him, too, very soon after. He lost his ship on some rocks off Malaita and disappeared for a time as though he had gone down with her. He is heard of next at Nuka-Hiva, where he bought an old French schooner out of Government service. What creditable enterprise he might have had in view when he made that purchase I can't say, but it is evident that what with High Commissioners, consuls, men-of-war, and international control, the South Seas were getting too hot to hold gentlemen of his kidney. Clearly he must have shifted the scene of his operations farther west, because a year later he plays an incredibly audacious, but not a very profitable part, in a serio-comic business in Manila Bay, in which a peculating governor and an absconding treasurer are the principal figures; thereafter he seems to have hung around the Philippines in his rotten schooner, battling with an adverse fortune, till at last, running his appointed course, he sails into Jim's history, a blind accomplice of the Dark Powers.

`His tale goes that when a Spanish patrol cutter captured him he was simply trying to run a few guns for the insurgents. If so, then I can't understand what he was doing off the south coast of Mindanao. My belief, however, is that he was blackmailing the native villages along the coast.

The principal thing is that the cutter, throwing a guard on board, made him sail in company towards Zamboanga. On the way, for some reason or other, both vessels had to call at one of these new Spanish settlements--which never came to anything in the end--where there was not only a civil official in charge on shore, but a good stout coasting schooner lying at anchor in the little bay; and this craft, in every way much better than his own, Brown made up his mind to steal.

`He was down on his luck--as he told me himself. The world he had bullied for twenty years with fierce, aggressive disdain, had yielded him nothing in the way of material advantage except a small bag of silver dollars, which was concealed in his cabin so that "the devil himself couldn't smell it out." And that was all--absolutely all. He was tired of his life, and not afraid of death. But this man, who would stake his existence on a whim with a bitter and jeering recklessness, stood in mortal fear of imprisonment.

He had an unreasoning cold-sweat, nerve-shaking, blood-to-water-turning sort of horror at the bare possibility of being locked up--the sort of terror a superstititous man would feel at the thought of being embraced by a spectre. Therefore the civil official who came on board to make a preliminary investigation into the capture, investigated arduously all day long, and only went ashore after dark, muffled up in a cloak, and taking great care not to let Brown's little all clink in its bag. Afterwards, being a man of his word, he contrived (the very next evening, I believe)to send off the Government cutter on some urgent bit of special service.

As her commander could not spare a prize crew, he contended himself by taking away before he left all the sails of Brown's schooner to the very last rag, and took good care to tow his two boats on to the beach a couple of miles off.

同类推荐
  • 佛说八阳神咒经

    佛说八阳神咒经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 益州名画录

    益州名画录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 竹庵草录

    竹庵草录

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 梁溪漫志

    梁溪漫志

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 太上说东斗主算护命妙经

    太上说东斗主算护命妙经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 箐箐子佩

    箐箐子佩

    皎皎君子、温润如玉,是重逢后的江怜星对子佩的第一映像。冷厉无情、杀伐果断是满天神佛对惜梧君的所有映像。可能是江怜星撞了大运吧,在凤凰还没展现出逆天的天赋之前抓住了这支潜力股。对于这个每天除了等她就是帮她打劫桂花糖的小伙伴,她还是很满意的。可是三百年的时间太长,足以改变很多事,归墟死气爆发,三界中人心惶惶,末日之世,父亲为求自保将她嫁给天界新贵。还以为从此再与凤凰无缘,谁知一切都在冥冥之中有天定。
  • 我已权倾,你可安好

    我已权倾,你可安好

    命运的齿轮已经在悄然转动,你我皆无法逃脱,是悲伤还是欢乐,其实早已命中注定,你如明月,身上染不得世俗的痛苦,那便让我替你承受这世间的黑暗
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 快穿之宿主求拯救世界

    快穿之宿主求拯救世界

    #宿主,女主需要你的拯救啊#笙意抱着零食北京瘫在沙发上,一脸历经沧桑样。天使号捉急呀,“宿主啊,再不去,女主就领盒饭了啊!”笙意淡淡回应:“哦,她不会做饭,不去。”皇上不急急死太监,天使号蹲在角落扯着小手绢,画着小圈圈,生无可恋。日常生活——某男:“夫人~再不理我,就杀了那女人”他也很无奈,夫人她偏生就是很在意另一个女人。笙意捏捏手指关节,“你敢!”某男挑眉威胁:“嗯?”笙意拿起菜刀,“你猜我敢不敢。”某男妥协,他是怕她不小心伤着,扣自己掉积分,同为任务者,他总是在最后给伪女/男主补上一刀,积分还扣半,仰天长啸,为毛啊!某主神声音从远方传来:这终是你的命~某男面无表情,#论揍主神犯法吗?挺急的#【1v1】男强女强(两任务者)
  • 风月稀疏白发尾

    风月稀疏白发尾

    世人唠叨:“得成比目何辞死,愿作鸳鸯不羡仙。”宋丹雅出走寒谷,步步为营,一心求道。南宫千羽问:你到底是求仙?还是求魔?宋丹雅回道:成仙最好,成魔也罢。我只是为自己讨一份公道。南宫千羽剑指:这一路,你要伤多少人才算公道?宋丹雅低笑一声,漠然不语。一念嗔起,百万障门开。
  • 心理学的陷阱

    心理学的陷阱

    生活中的人们常常习惯于用自己的行为模式来解释自己的行为后果,却忽视了行为模式背后的动因才是让他们走入陷阱中的主要驱动力。为了避免读者陷入抽象的理论思维束缚中,笔者通过采用日常生活中常见的小故事,以及历史上经典的人物、故事剧情等生动地对每一种心理效应进行了通俗易懂的阐述。由故事引出效应,分析效应的背后动因和深陷效应中的人们的行为,并提出借鉴与规避的策略,这是本书的主旨所在。
  • 复仇三公主之我比你更苏

    复仇三公主之我比你更苏

    苏阮觉得自己这辈子都没这么玄幻过,看本玛丽苏就能穿越,那这世界是不是都要没有人类了!标准的黑化复仇三公主剧情,大姐高冷霸气,二姐美艳逼人,苏阮默默抱紧弱小可怜又无辜的自己,看向自己的Acup。不带这么玩的!没有金手指没有系统,苏阮决定孤身一人也要在这里闯出一片天,发挥穿越者的智慧,发家致富养崽崽——啊呸,不好意思拿错剧本了,这不是种田文。刚回国就收到了黑卡怎么办?收养三公主的爷爷太有钱了怎么办?大姐二姐实力宠妹怎么办?三公主太牛逼了我可以早点复仇完早点回家当咸鱼吗?!哦谢特,这个分配给她的校草好像是个很牛逼的大佬,怎么办苏阮有点心动——果然还是要好好走剧情搞圆满大结局啊!
  • 浴火战歌

    浴火战歌

    本书讲述了一代女王的坎坷成长史,前期无cp,慢热文,后期发力,用女王的故事为你描绘一段王朝的兴衰……
  • 太虚仙主

    太虚仙主

    万年前,仙主叶尘含恨陨落。万年后,皇子叶尘沦为质子。横跨的时空,两道孤寂灵魂的碰撞,牵扯出两世的爱恨情仇。重拾强者之路,磅礴的修炼画卷徐徐展开……脚踏万古仙穹,凶险的复仇之旅腥风血雨……重游太虚,我必登顶,再临仙主之位!
  • 圣彼得堡:时光

    圣彼得堡:时光

    本书收录了作者近两年来的优秀散文作品。作品得到国内多家媒体的关注与转载,是80后作者中实力派的散文作者。文风大气,沉着,厚重,质朴,铿锵有力,充分的展示了作者的才华,缜密的思考,成熟的文字,激情的探索,是这个散文集的主要特点。