And it appears that Edward Ashburnham led the girl not up the straight allée that leads to the Casino， but in under the dark trees of the park. Edward Ashburnham told me all this in his final outburst. I have told you that， upon that occasion， he became deucedly vocal. I didn't pump him. I hadn't any motive. At that time I didn't in the least connect him with my wife. But the fellow talked like a cheap novelist.--Or like a very good novelist for the matter of that， if it's the business of a novelist to make you see things clearly. And I tell you I see that thing as clearly as if it were a dream that never left me. It appears that， not very far from the Casino， he and the girl sat down in the darkness upon a public bench. The lights from that place of entertainment must have reached them through the tree-trunks， since， Edward said， he could quite plainly see the girl's face--that beloved face with the high forehead， the queer mouth， the tortured eyebrows， and the direct eyes. And to Florence， creeping up behind them， they must have presented the appearance of silhouettes. For I take it that Florence came creeping up behind them over the short grass to a tree that， I quite well remember， was immediately behind that public seat. It was not a very difficult feat for a woman instinct with jealousy. The Casino orchestra was， as Edward remembered to tell me， playing the Rakocsy march， and although it was not loud enough， at that distance， to drown the voice of Edward Ashburnham it was certainly sufficiently audible to efface， amongst the noises of the night， the slight brushings and rustlings that might have been made by the feet of Florence or by her gown in coming over the short grass. And that miserable woman must have got it in the face， good and strong. It must have been horrible for her. Horrible！ Well， I suppose she deserved all that she got.
Anyhow， there you have the picture， the immensely tall trees， elms most of them， towering and feathering away up into the black mistiness that trees seem to gather about them at night； the silhouettes of those two upon the seat； the beams of light coming from the Casino， the woman all in black peeping with fear behind the tree-trunk. It is melodrama； but I can't help it.
And then， it appears， something happened to Edward Ashburnham.
He assured me--and I see no reason for disbelieving him--that until that moment he had had no idea whatever of caring for the girl. He said that he had regarded her exactly as he would have regarded a daughter. He certainly loved her， but with a very deep， very tender and very tranquil love. He had missed her when she went away to her convent-school； he had been glad when she had returned. But of more than that he had been totally unconscious.
Had he been conscious of it， he assured me， he would have fled from it as from a thing accursed. He realized that it was the last outrage upon Leonora. But the real point was his entire unconsciousness. He had gone with her into that dark park with no quickening of the pulse， with no desire for the intimacy of solitude. He had gone， intending to talk about polo-ponies， and tennis-racquets； about the temperament of the reverend Mother at the convent she had left and about whether her frock for a party when they got home should be white or blue. It hadn't come into his head that they would talk about a single thing that they hadn't always talked about； it had not even come into his head that the tabu which extended around her was not inviolable. And then， suddenly， that-- He was very careful to assure me that at that time there was no physical motive about his declaration. It did not appear to him to be a matter of a dark night and a propinquity and so on. No， it was simply of her effect on the moral side of his life that he appears to have talked. He said that he never had the slightest notion to enfold her in his arms or so much as to touch her hand. He swore that he did not touch her hand. He said that they sat， she at one end of the bench， he at the other； he leaning slightly towards her and she looking straight towards the light of the Casino， her face illuminated by the lamps. The expression upon her face he could only describe as "queer". At another time， indeed， he made it appear that he thought she was glad. It is easy to imagine that she was glad， since at that time she could have had no idea of what was really happening. Frankly， she adored Edward Ashburnham. He was for her， in everything that she said at that time， the model of humanity， the hero， the athlete， the father of his country， the law-giver. So that for her， to be suddenly， intimately and overwhelmingly praised must have been a matter for mere gladness， however overwhelming it were. It must have been as if a god had approved her handiwork or a king her loyalty. She just sat still and listened， smiling. And it seemed to her that all the bitterness of her childhood， the terrors of her tempestuous father， the bewailings of her cruel-tongued mother were suddenly atoned for. She had her recompense at last. Because， of course， if you come to figure it out， a sudden pouring forth of passion by a man whom you regard as a cross between a pastor and a father might， to a woman， have the aspect of mere praise for good conduct. It wouldn't， I mean， appear at all in the light of an attempt to gain possession. The girl， at least， regarded him as firmly anchored to his Leonora. She had not the slightest inkling of any infidelities.
He had always spoken to her of his wife in terms of reverence and deep affection. He had given her the idea that he regarded Leonora as absolutely impeccable and as absolutely satisfying.
Their union had appeared to her to be one of those blessed things that are spoken of and contemplated with reverence by her church.
