登陆注册
5427000000055

第55章 FAKARAVA:AN ATOLL AT HAND(4)

The reef itself has no passage of colour but is imitated by some shell.Purple and red and white,and green and yellow,pied and striped and clouded,the living shells wear in every combination the livery of the dead reef -if the reef be dead -so that the eye is continually baffled and the collector continually deceived.Ihave taken shells for stones and stones for shells,the one as often as the other.A prevailing character of the coral is to be dotted with small spots of red,and it is wonderful how many varieties of shell have adopted the same fashion and donned the disguise of the red spot.A shell I had found in plenty in the Marquesas I found here also unchanged in all things else,but there were the red spots.A lively little crab wore the same markings.

The case of the hermit or soldier crab was more conclusive,being the result of conscious choice.This nasty little wrecker,scavenger,and squatter has learned the value of a spotted house;so it be of the right colour he will choose the smallest shard,tuck himself in a mere corner of a broken whorl,and go about the world half naked;but I never found him in this imperfect armour unless it was marked with the red spot.

Some two hundred yards distant is the beach of the lagoon.Collect the shells from each,set them side by side,and you would suppose they came from different hemispheres;the one so pale,the other so brilliant;the one prevalently white,the other of a score of hues,and infected with the scarlet spot like a disease.This seems the more strange,since the hermit crabs pass and repass the island,and I have met them by the Residency well,which is about central,journeying either way.Without doubt many of the shells in the lagoon are dead.But why are they dead?Without doubt the living shells have a very different background set for imitation.But why are these so different?We are only on the threshold of the mysteries.

Either beach,I have said,abounds with life.On the sea-side and in certain atolls this profusion of vitality is even shocking:the rock under foot is mined with it.I have broken off -notably in Funafuti and Arorai -great lumps of ancient weathered rock that rang under my blows like iron,and the fracture has been full of pendent worms as long as my hand,as thick as a child's finger,of a slightly pinkish white,and set as close as three or even four to the square inch.Even in the lagoon,where certain shell-fish seem to sicken,others (it is notorious)prosper exceedingly and make the riches of these islands.Fish,too,abound;the lagoon is a closed fish-pond,such as might rejoice the fancy of an abbot;sharks swarm there,and chiefly round the passages,to feast upon this plenty,and you would suppose that man had only to prepare his angle.Alas!it is not so.Of these painted fish that came in hordes about the entering CASCO,some bore poisonous spines,and others were poisonous if eaten.The stranger must refrain,or take his chance of painful and dangerous sickness.The native,on his own isle,is a safe guide;transplant him to the next,and he is helpless as yourself.For it is a question both of time and place.

A fish caught in a lagoon may be deadly;the same fish caught the same day at sea,and only a few hundred yards without the passage,will be wholesome eating:in a neighbouring isle perhaps the case will be reversed;and perhaps a fortnight later you shall be able to eat of them indifferently from within and from without.

According to the natives,these bewildering vicissitudes are ruled by the movement of the heavenly bodies.The beautiful planet Venus plays a great part in all island tales and customs;and among other functions,some of them more awful,she regulates the season of good fish.With Venus in one phase,as we had her,certain fish were poisonous in the lagoon:with Venus in another,the same fish was harmless and a valued article of diet.White men explain these changes by the phases of the coral.

It adds a last touch of horror to the thought of this precarious annular gangway in the sea,that even what there is of it is not of honest rock,but organic,part alive,part putrescent;even the clean sea and the bright fish about it poisoned,the most stubborn boulder burrowed in by worms,the lightest dust venomous as an apothecary's drugs.

同类推荐
  • 金刚般若经疏论纂要刊定记会编

    金刚般若经疏论纂要刊定记会编

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 庄渠遗书

    庄渠遗书

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 素书

    素书

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 佛说如来独证自誓三昧经

    佛说如来独证自誓三昧经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 寻汪道士不遇

    寻汪道士不遇

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 难道一切都是我的错吗?重构你的家庭亲密关系

    难道一切都是我的错吗?重构你的家庭亲密关系

    知名心理学家、知乎优秀心理学答主、《奇葩大会》受邀学者李松蔚首部作品,结合十年心理咨询治疗经验,科学运用“系统式家庭理论”,全面梳理家庭中的多重矛盾,解决每个人都会遇到的亲密关系困境、育儿难题。身为成年人,你无时无刻不处于,纷繁复杂的关系之中。你或许以为,幸福由成就感决定。但其实:关系的状态决定了你是否幸福。而你是否知道,关于相处,你80%的常识都是错的。心理学家李松蔚老师将复杂而系统的心理学概念,从育儿、家庭系统、亲密关系、认知方向等出发,以“系统式家庭理论”为支撑,以具体的生活实例为切入点,帮助你抛弃传统的人际观,颠覆你处理问题时的惯性思维,让你学会放弃“控制”、放弃“是非”、放弃“说服”,选取复杂而有用的心理学理论,把生活中的心理案例进行系统化拆解,学习到课题分离、界限等心理概念,换个角度看问题,颠覆我们的认知局限,化解陈年的关系困局。
  • 回忆里的钢琴师

    回忆里的钢琴师

    一位钢琴师在琴室弹奏钢琴时,突然昏厥……在苏醒后,他发现自己已然失忆。他忘记了他的家人、朋友,以及过去和他相爱的女孩。女孩为了唤醒失忆的他,一直陪伴在他的身边。此后,女孩也因此爱上了钢琴,并且一步步唤醒了他内心深处的记忆。然而,在他逐步记起过往岁月的时光时,又有一个女孩走进了他的内心世界……那么,当他完全回忆起过去的时光,最终,他又会选择谁呢?
  • 追妻无门:女boss不好惹

    追妻无门:女boss不好惹

    青涩蜕变,如今她是能独当一面的女boss,爱了冷泽聿七年,也同样花了七年时间去忘记他。以为是陌路,他突然向他表白,扬言要娶她,她只当他是脑子抽风,他的殷勤她也全都无视。他帮她查她父母的死因,赶走身边情敌,解释当初拒绝她的告别,和故意对她冷漠都是无奈之举。突然爆出她父母的死居然和冷家有丝毫联系,还莫名跳出个公爵未婚夫,扬言要与她履行婚约。峰回路转,破镜还能重圆吗? PS:我又开新文了,每逢假期必书荒,新文《有你的世界遇到爱》,喜欢我的文的朋友可以来看看,这是重生类现言,对这个题材感兴趣的一定要收藏起来。
  • 蜚声中外的中国建筑(上)

    蜚声中外的中国建筑(上)

    建筑是时代的一面镜子,它以独特的艺术语言熔铸、反映出一个时代、一个民族的审美追求,建筑艺术在其发展过程中,不断显示出人类所创造的物质精神文明,以其触目的巨大形象和时代的流动性,讲究空间组合的节律感等,而被誉为“凝固的音乐”、“立体的画”、“无形的诗”和“石头写成的史书”。本书为您一一介绍蜚声中外的中国建筑。
  • 凤凰台记事

    凤凰台记事

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 原来我会爱你

    原来我会爱你

    沈君然见苏颖年的第一面时,心中便多了一份不知名的心疼,之后的再遇,他决定遵循自己的内心,用尽心思把她留在自己的身边,比如接下她爷爷的病历,顺带着接下苏颖年的未来。只是他也有他的骄傲,在面对苏颖年淡漠和逃避,他放过手,却始终放不开自己的心。因为他知道原来自己所谓的骄傲不过是苏颖年不敢靠近的理由。所以,他宁愿放弃自己一身的骄傲,只为让苏颖年毫无顾忌的靠近自己。只是苏颖年受家庭的影响,对感情从不曾,不敢,也不愿真正的打开心扉,她承认,在感情方面她是一个彻头彻尾的胆小鬼。不过幸运的是,她遇到了沈君然,那个人一步步的撬开了苏颖年紧闭的心房。让她知道原来她也会爱上一个人,也让她知道,原来爱一人竟然会这么的幸福。
  • 明月出天山

    明月出天山

    阿舍,女,原名杨咏,维吾尔族,1971年生,新疆尉犁人,西北第二民族学院毕业。银川文学院签约作家。出版长篇历史小说《乌孙》。散文《小席走了》获2004年第五届“PSI—新语丝”网络文学一等奖;散文《山鬼》获2011年《民族文学》年度奖。
  • 倾城魔女翱翔九天

    倾城魔女翱翔九天

    她来自21世纪平凡得不能再平凡的上班族……意外穿越,怎么就穿着红嫁衣躺在冰河上?躺枪……卧槽……不是杀手,不是特工,不是神偷,肿么办?不怕,她有神兽小弟几枚,狗腿子一推,桃花一箩……某腹黑妖孽男委屈道:“娘子,不要再给我惹桃花了,我掐得手都酸了”某女笑意盈盈的道:“哦,这样啊,我看你掐得不亦乐乎嘛……”………且看弱妹超强逆袭,灭渣男渣女,披荆斩棘破千年阴谋……逐步跨上强者之巅,颠覆天下,翱翔九天。
  • 杂阿毗昙心论

    杂阿毗昙心论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 快穿之我家男神太腹黑

    快穿之我家男神太腹黑

    什么!精灵?意外死亡的洛怡月一脸懵逼的契约了个精灵,穿越到各个世界攻略男神就算了,你告诉我还有其他女人和我抢?洛怡月:这是世上最坑精灵,没有之一!最后将一次次梦的碎片拼凑起来,恩……我好像是一个了不起的人物?