"Oh, what a beauty! And this, I suppose, is Bertram's 'pewter chain'! 'Pewter,' indeed!" she scoffed. "Tell me, Uncle William, where did you get it?"And uncle William told, happily, thirstily, drinking in Billy's evident interest with delight. There were, too, a quaintly-set ring and a cat's-eye brooch; and to each belonged a story which William was equally glad to tell. There were other treasures, also: buckles, rings, brooches, and necklaces, some of dull gold, some of equally dull silver; but all of odd design and curious workmanship, studded here and there with bits of red, green, yellow, blue, and flame-colored stones. Very learnedly then from William's lips fell the new vocabulary that had come to him with his latest treasures: chrysoprase, carnelian, girasol, onyx, plasma, sardonyx, lapis lazuli, tourmaline, chrysolite, hyacinth, and carbuncle.
"They are lovely, perfectly lovely!" breathed Billy, when the last chain had slipped through her fingers into William's hand. "Ithink they are the very nicest things you ever collected.""So do I," agreed the man, emphatically. "And they are--different, too.""They are," said Billy, "very--different." But she was not looking at the jewelry: her eyes were on a small shell hairpin and a brown silk button half hidden behind a Lowestoft teapot.
On the way down-stairs William stopped a moment at Billy's old rooms.
"I wish you were here now," he said wistfully. "They're all ready for you--these rooms.""Oh, but why don't you use them?--such pretty rooms!" cried Billy, quickly.
William gave a gesture of dissent.
"We have no use for them; besides, they belong to you and Aunt Hannah. You left your imprint long ago, my dear--we should not feel at home in them.""Oh, but you should! You mustn't feel like that!" objected Billy, hurriedly crossing the room to the window to hide a sudden nervousness that had assailed her. "And here's my piano, too, and open!" she finished gaily, dropping herself upon the piano stool and dashing into a brilliant mazourka.
Billy, like Cyril, had a way of working off her moods at her finger tips; and to-day the tripping notes and crashing chords told of a nervous excitement that was not all joy. From the doorway William watched her flying fingers with fond pride, and it was very reluctantly that he acceded to Pete's request to go down-stairs for a moment to settle a vexed question concerning the table decorations.
Billy, left alone, still played, but with a difference. The tripping notes slowed into a weird melody that rose and fell and lost itself in the exquisite harmony that had been born of the crashing chords. Billy was improvising now, and into her music had crept something of her old-time longing when she had come to that house a lonely, orphan girl, in search of a home. On and on she played; then with a discordant note, she suddenly rose from the piano. She was thinking of Kate, and wondering if, had Kate not "managed" the little room would still be home.
So swiftly did Billy cross to the door that the man on the stairs outside had not time to get quite out of sight. Billy did not see his face, however; she saw only a pair of gray-trousered legs disappearing around the curve of the landing above. She thought nothing of it until later when dinner was announced, and Cyril came down-stairs; then she saw that he, and he only, that afternoon wore trousers of that particular shade of gray.
The dinner was a great success. Even the chocolate fudge in the little cut glass bonbon dishes was perfect; and it was a question whether Pete or Dong Ling tried the harder to please.
After dinner the family gathered in the drawing-room and chatted pleasantly. Bertram displayed his prettiest and newest pictures, and Billy played and sung--bright, tuneful little things that she knew Aunt Hannah and Uncle William liked. If Cyril was pleased or displeased, he did not show it--but Billy had ceased to play for Cyril's ears. She told herself that she did not care; but she did wonder: was that Cyril on the stairs, and if so--what was he doing there?
