"I have tried," she said, "countless times--to imagine those old romantic days. And to you they are memories. How strange and crowded the world must seem to you! I have seen photographs and pictures of the old times, the little isolated houses built of bricks made out of burnt mud and all black with soot from your fires, the railway bridges, the simple advertisements, the solemn savage Puritanical men in strange black coats and those tall hats of theirs, iron railway trains on iron bridges overhead, horses and cattle, and even dogs running half wild about the streets. And suddenly, you have come into this!""Into this," said Graham.
"Out of your life--out of all that was familiar.""The old life was not a happy one," said Graham.
"I do not regret that."
She looked at him quickly. There was a brief pause.
She sighed encouragingly. "No? "
"No," said Graham. "It was a little life--and unmeaning. But this--. We thought the world complex and crowded and civilised enough. Yet I see --although in this world I am barely four days old--looking back on my own time, that it was a queer, barbaric time--the mere beginning of this new order.
The mere beginning of this new order. You will find it hard to understand how little I know."" You may ask me what you like," she said, smiling at him.
"Then tell me who these people are. I'm still very much in the dark about them. It's puzzling. Are there any Generals? ""Men in hats and feathers?"
"Of course not. No. I suppose they are the men who control the great public businesses. Who is that distinguished looking man?""That? He's a most important officer. That is Morden. He is managing director of the Antibilious Pill Company. I have heard that his workers sometimes turn out a myriad myriad pills a day in the twenty-four hours. Fancy a myriad myriad!""A myriad myriad. No wonder he looks proud,"said Graham. "Pills! What a wonderful time it is!
That man in purple?"
"He is not quite one of the inner circle, you know.
But we like him. He is really clever and very amusing.
He is one of the heads of the Medical Faculty of our London University. All medical men, you know, are shareholders in the Medical Faculty Company, and wear that purple. You have to be--to be qualified.
But of course, people who are paid' by fees for doing something--" She smiled away the social pretensions of all such people.
"Are any of your great artists or authors here?""No authors. They are mostly such queer people--and so preoccupied about themselves. And they quarrel so dreadfully! They will fight, some of them, for precedence on staircases! Dreadful isn't it? But Ithink Wraysbury, the fashionable capillotomist, is here. From Capri.""Capillotomist," said Graham. "Ah! I remember.
An artist! Why not?"
"We have to cultivate him," she said apologetically.
"Our heads are in his hands." She smiled.
Graham hesitated at the invited compliment, but his glance was expressive. "Have the arts grown with the rest of civilised things?" he said. "Who are your great painters?"She looked at him doubtfully. Then laughed.
"For a moment," she said, "I thought you meant--"She laughed again. "You mean, of course, those good men you used to think so much of because they could cover great spaces of canvas with oil-colours?
Great oblongs. And people used to put the things in gilt frames and hang them up in rows in their square rooms. We haven't any. People grew tired of that sort of thing.""But what did you think I meant?"
She put a finger significantly on a cheek whose glow was above suspicion, and smiled and looked very arch and pretty and inviting. "And here," and she indicated her eyelid.
Graham had an adventurous moment. Then a grotesque memory of a picture he had somewhere seen of Uncle Toby and the Widow flashed across his mind. An archaic shame came upon him. He became acutely aware that he was visible to a great number of interested people. "I see," he remarked inadequately. He turned awkwardly away from her, fascinating facility. He looked about him to meet a number of eyes that immediately occupied themselves with other things. Possibly he coloured a little.
"Who is that talking with the lady in saffron?" he asked, avoiding her eyes.
The person in question he learnt was one of the great organisers of the American theatres just fresh from a gigantic production at Mexico. His face reminded Graham of a bust of Caligula. Another striking looking man was the Black Labour Master.
The phrase at the time made no deep impression, but afterwards it recurred;--the Black Labour Master?
The little lady, in no degree embarrassed, pointed out to him a charming little woman as one of the subsidiary wives of the Anglican Bishop of London. She added encomiums on the episcopal courage--hitherto there had been a rule of clerical monogamy--" neither a natural nor an expedient condition of things. Why should the natural development of the affections be dwarfed and restricted because a man is a priest?""And, bye the bye," she added, "are you an Anglican?" Graham was on the verge of hesitating inquiries about the status of a "subsidiary wife,"apparently an euphemistic phrase, when Lincoln's return broke off this very suggestive and interesting conversation.
They crossed the aisle to where a tall man in crimson, and two charming persons in Burmese costume (as it seemed to him) awaited him diffidently.
From their civilities he passed to other presentations.
In a little while his multitudinous impressions began to organise themselves into a general effect. At first the glitter of the gathering had raised all the democrat in Graham; he had felt hostile and satirical. But it is not in human nature to resist an atmosphere of courteous regard. Soon the music, the light, the play of colours, the shining arms and shoulders about him, the touch of hands, the transient interest of smiling faces, the frothing sound of skillfully modulated voices, the atmosphere of compliment, interest and respect, had woven together into a fabric of indisputable pleasure.
