He did not stop there; after the hint about the watch-dog, he would not trust that faithful but too carnivorous animal; he brought his blankets into the little tool-house, and lay there every night in a sort of dog's sleep. This tool-house was erected in a little back garden, separated from the lawn only by some young trees in single file. Now Miss Rolleston's window looked out upon the lawn, so that Seaton's watchtower was not many yards from it; then, as the tool-house was only lighted from above, he bored a hole in the wooden structure, and through this he watched, and slept, and watched. He used to sit studying theology by a farthing rushlight till the lady's bedtime, and then he watched for her shadow. If it appeared for a few moments on the blind, he gave a sigh of content and went to sleep, but awaked every now and then to see that all was well.
After a few nights, his alarms naturally ceased, but his love increased, fed now from this new source, the sweet sense of being the secret protector of her he adored.
Meantime, Miss Rolleston's lady's maid, Wilson, fell in love with him after her fashion; she had taken a fancy to his face at once, and he had encouraged her a little, unintentionally; for he brought the nosegays to her, and listened complacently to her gossip, for the sake of the few words she let fall now and then about her young mistress. As he never exchanged two sentences at a time with any other servant, this flattered Sarah Wilson, and she soon began to meet and accost him oftener, and in cherrier-colored ribbons, than he could stand. So then he showed impatience, and then she, reading him by herself, suspected some vulgar rival.
Suspicion soon bred jealousy, jealousy vigilance, and vigilance detection.
Her first discovery was that, so long as she talked of Miss Helen Rolleston, she was always welcome; her second was, that Seaton slept in the tool-house.
She was not romantic enough to connect her two discoveries together. They lay apart in her mind, until circumstances we are about to relate supplied a connecting link.
One Thursday evening James Seaton's goddess sat alone with her papa, and--being a young lady of fair abilities, who had gone through her course of music and other studies, taught brainlessly, and who was now going through a course of monotonous pleasures, and had not accumulated any great store of mental resources--she was listless and languid, and would have yawned forty times in her papa's face, only she was too well-bred. She always turned her head away, when it came, and either suppressed it, or else hid it with a lovely white hand. At last, as she was a good girl, she blushed at her behavior, and roused herself up, and said she, "Papa, shall I play you the new quadrilles?"
Papa gave a start and a shake, and said, with well-feigned vehemence, "Ay, do, my dear," and so composed himself--to listen; and Helen sat down and played the quadrilles.
The composer had taken immortal melodies, some gay, some sad, and had robbed them of their distinctive character and hashed them till they were all one monotonous rattle. But General Rolleston was little the worse for all this. As Apollo saved Horace from hearing a poetaster's rhymes, so did Somnus, another beneficent little deity, rescue our warrior from his daughter's music.
She was neither angry nor surprised. A delicious smile illumined her face directly; she crept to him on tiptoe, and bestowed a kiss, light as a zephyr, on his gray head. And, in truth, the bending attitude of this supple figure, clad in snowy muslin, the virginal face and light hazel eyes beaming love and reverence, and the airy kiss, had something angelic.
