IN every town there is one young maiden who is the universal favorite, who belongs to all sets and is made an exception to all family feuds, who is the confidante of all girls and the adopted sister of all young men, up to the time when they respectively offer themselves to her, and again after they are rejected. This post was filled in Oldport, in those days, by my cousin Kate.
Born into the world with many other gifts, this last and least definable gift of popularity was added to complete them all.
Nobody criticised her, nobody was jealous of her, her very rivals lent her their new music and their lovers; and her own discarded wooers always sought her to be a bridesmaid when they married somebody else.
She was one of those persons who seem to have come into the world well-dressed. There was an atmosphere of elegance around her, like a costume; every attitude implied a presence-chamber or a ball-room. The girls complained that in private theatricals no combination of disguises could reduce Kate to the ranks, nor give her the "make-up" of a waiting-maid. Yet as her father was a New York merchant of the precarious or spasmodic deion, she had been used from childhood to the wildest fluctuations of wardrobe;--a year of Paris dresses,--then another year spent in making over ancient finery, that never looked like either finery or antiquity when it came from her magic hands. Without a particle of vanity or fear, secure in health and good-nature and invariable prettiness, she cared little whether the appointed means of grace were ancient silk or modern muslin. In her periods of poverty, she made no secret of the necessary devices; the other girls, of course, guessed them, but her lovers never did, because she always told them. There was one particular tarlatan dress of hers which was a sort of local institution. It was known to all her companions, like the State House. There was a report that she had first worn it at her christening; the report originated with herself. The young men knew that she was going to the party if she could turn that pink tarlatan once more; but they had only the vaguest impression what a tarlatan was, and cared little on which side it was worn, so long as Kate was inside.
During these epochs of privation her life, in respect to dress, was a perpetual Christmas-tree of second-hand gifts. Wealthy aunts supplied her with cast-off shoes of all sizes, from two and a half up to five, and she used them all. She was reported to have worn one straw hat through five changes of fashion. It was averred that, when square crowns were in vogue, she flattened it over a tin pan, and that, when round crowns returned, she bent it on the bedpost. There was such a charm in her way of adapting these treasures, that the other girls liked to test her with new problems in the way of millinery and dress-making; millionnaire friends implored her to trim their hats, and lent her their own things in order to learn how to wear them. This applied especially to certain rich cousins, shy and studious girls, who adored her, and to whom society only ceased to be alarming when the brilliant Kate took them under her wing, and graciously accepted a few of their newest feathers. Well might they acquiesce, for she stood by them superbly, and her most favored partners found no way to her hand so sure as to dance systematically through that staid sisterhood. Dear, sunshiny, gracious, generous Kate!--who has ever done justice to the charm given to this grave old world by the presence of one free-hearted and joyous girl?
At the time now to be described, however, Kate's purse was well filled; and if she wore only second-best finery, it was because she had lent her very best to somebody else. All that her doting father asked was to pay for her dresses, and to see her wear them; and if her friends wore a part of them, it only made necessary a larger wardrobe, and more varied and pleasurable shopping. She was as good a manager in wealth as in poverty, wasted nothing, took exquisite care of everything, and saved faithfully for some one else all that was not needed for her own pretty person.
Pretty she was throughout, from the parting of her jet-black hair to the high instep of her slender foot; a glancing, brilliant, brunette beauty, with the piquant charm of perpetual spirits, and the equipoise of a perfectly healthy nature. She was altogether graceful, yet she had not the fresh, free grace of her cousin Hope, who was lithe and strong as a hawthorne spray: Kate's was the narrower grace of culture grown hereditary, an in-door elegance that was born in her, and of which dancing-school was but the natural development. You could not picture Hope to your mind in one position more than in another; she had an endless variety of easy motion. When you thought of Kate, you remembered precisely how she sat, how she stood, and how she walked. That was all, and it was always the same. But is not that enough? We do not ask of Mary Stuart's portrait that it should represent her in more than one attitude, and why should a living beauty need more than two or three?
Kate was betrothed to her cousin Harry, Hope's brother, and, though she was barely twenty, they had seemed to appertain to each other for a time so long that the memory of man or maiden aunt ran not to the contrary. She always declared, indeed, that they were born married, and that their wedding-day would seem like a silver wedding. Harry was quiet, unobtrusive, and manly.
